To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Why You Should Keep Your Discarded Footage
October 30, 2018, 06:05 AM
https://www.premiumbeat.com/blog/new-filmmakers-ke...
I’m sure you’re familiar with the scene of a writer penning his next novel, only to feel his words aren’t telling the story he wants so he scrunches the page into a ball and throws it across the room. A similar scene exists for digital filmmakers, but instead, it involves dragging poorly shot footage to recycle bin.
Editors Guild’s Cathy Repola Reacts After Axing
October 30, 2018, 06:05 AM
https://deadline.com/2018/10/editors-guild-cathy-r...
EXCLUSIVE: IATSE international president Matt Loeb has unceremoniously booted Cathy Repola off the board of directors of the union’s pension and health plans after she tangled with him over the ratification of the union’s new film and TV contract.
Whenever I’m not involved at work
October 29, 2018, 12:35 PM
http://renderplease.tumblr.com/post/179556535415
Solutions to Resolve PT 4: Don’t clip your proxi
October 29, 2018, 08:48 AM
https://www.provideocoalition.com/solutions-to-res...
This article is about the difference between Full data and Video levels and how Resolve’s video pipeline deals with them. Most of the time this is an automatic process and there’s nothing to do, but there can be problems with clipping when you’re not grading with Resolve but just using it to transcode your rushes or to make proxies.
Slice (2018)
October 29, 2018, 04:59 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“So you're telling me that my pizza place is built on a gateway to hell?” — Jack ...
12 Cool After Effects Intros
October 29, 2018, 04:59 AM
https://cgi.tutsplus.com/articles/12-cool-after-ef...
A badly conceived and shoddily executed intro can diminish even the best video and that’s why today we’re focusing on 12 of the coolest After Effects intros available at VideoHive.
ART OF THE CUT with Oscar-nominated, Tariq Anwar
October 29, 2018, 04:58 AM
https://www.provideocoalition.com/aotc-anwar
Tariq Anwar was born in New Delhi, India, and grew up in London. At the beginning of his career, in the early 1970s, he worked as an editor at the BBC. That time included editing a whole range of programmes: News, Documentaries, Light Entertainment and on several BAFTA nominated drama productions. His feature film work includes American Beauty, for which he was nominated for an Oscar for editing and an ACE Eddie. He also cut The King’s Speech, which was similarly nominated for an Oscar, a BAFT...
Free Dolby Atmos Online Training
October 29, 2018, 04:58 AM
https://www.pro-tools-expert.com/home-page/2018/10...
Have you ever asked “what exactly is Dolby Atmos? or “how do mixers learn to produce content in the format? If you have then The Dolby Institute, in partnership with the Conservatory of Recording Arts and Sciences, has launched the first free online training curriculum focused on Dolby Atmos.
Interview: Harry Miller, Editor
October 29, 2018, 04:58 AM
https://www.ibc.org/production/interview-harry-mil...
The creatives behind producing, capturing, editing and the VFX on the fourth instalment of science fiction action film The Predator all collaborated to overcome challenges and adapt to new technology workflows.
For Paycheck or For Passion
October 29, 2018, 04:58 AM
https://nofilmschool.com/2018/12/paycheck-or-passi...
It's hard to coin Steven Yeun's year as "breakthrough" since the South Korean actor has been a figure in the public's eye since his first appearance as Glenn from AMC's The Walking Dead in 2010. But with starring roles in both Boots Riley's Sorry to Bother You and Chang Dong Lee's Burning in 2018, he has all but cemented himself as a leading man on the independent film scene.
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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