To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

More Interviews with Film Colorists

October 27, 2016, 03:16 AM

http://jonnyelwyn.co.uk/film-and-video-editing/coo...

Learn from some masterful colorists, check out my review of LowePost colorist community site, listen to colorists podcasts and much more!

#color grading#colorists#film colorists#colour grading interviews#lowepost
Josh Haynie Moves from Efilm to Light Iron

October 24, 2016, 12:15 PM

http://www.studiodaily.com/2016/10/josh-haynie-mov...

Josh Haynie has been named VP of U.S. operations, working out of Light Iron's Hollywood facility. He wil be charged with helping manage the company's growth under Panavision's ownership. "To continue on this trajectory, we're bringing in a leader to … more » The post Josh Haynie Moves from Efilm to Light Iron appeared first on Studio Daily.

Review: Tangent Ripple color correction panel

October 20, 2016, 12:25 PM

http://postperspective.com/review-tangent-ripple-c...

By Brady Betzel Lately, it feels like a lot of the specializations in post production are becoming generalized and given to the “editor.” One of the hats that the editor now wears is that of color corrector — I’m not saying we are tasked with color grading an entire film, Continue reading →October 20, 2016

DaVinci Resolve Studio Grades MAX's Music Video

October 17, 2016, 10:07 AM

https://www.aotg.com/davinci-resolve-studio-grades-maxs-music-video/

Blackmagic Design today announced that URSA Mini 4.6K EF was used to shoot the music video for “Lights Down Low” by MAX. Blackmagic Design Video Assist 4K was used for 4K monitoring and recording on the intensely packed two day shoot, while DaVinci Resolve Studio was used for color grading the video.

#color grading#post production#color correction
Color Finale Pro – a powerful grading plug-in fo

October 17, 2016, 05:52 AM

http://www.redsharknews.com/post/item/3866-color-f...

RedShark Review: Ned Soltz takes Denver Riddle’s ACES-compatible $149 Color Finale Pro for a spin and is impressed with what he finds. Color Finale ProXRite Color Checker Passport VideoGradingFCP XColor Correction

The color and sound of Netflix’s The Get Down

October 12, 2016, 04:58 PM

http://postperspective.com/the-color-and-sound-of-...

The Get Down, Baz Luhrmann’s new series for Netflix, tells the story of the birth of hip-hop in late 1970s in New York’s South Bronx. The show depicts a colorful world filled with colorful characters, all pulsating to the rhythms of an emerging musical form. Shot on the Red Dragon and Weapon in 6K, Continue reading →October 12, 2016

Advanced Color Correction in Adobe Premiere Pro

October 12, 2016, 05:08 AM

https://library.creativecow.net/gleissenber_tobias...

Color correction and color grading are essential if you want your video to look professional. Since your video will likely be watched on many different devices with many different screens, chances are it will look slightly different to everyone.

Creating Custom Color Palettes

October 12, 2016, 05:07 AM

https://www.aotg.com/creating-custom-color-palettes/

In this episode of MacBreak Studio, Mark Spencer shows how you to create custom color palettes for creating motion graphics that comply with corporate guidelines.

Augustus Color using WCPMedia's cloud platform on

October 11, 2016, 05:09 PM

http://www.postmagazine.com/Press-Center/Daily-New...

ROME, ITALY — Augustus Color is using the cloud to post Black Butterfly, Paradox Studios’ upcoming psychological thriller. The studio has employed WCPMedia’s (www.wcpmediaservices.com) media management platform to deliver dailies to the film’s editorial team in Spain and screen dailies, in a WCP generated lower bandwidth version, for production partners around the globe.

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