It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 5, 2016, 10:25 AM
http://postperspective.com/behind-the-title-alphad...
NAME: Sean Stack COMPANY: Burbank’s AlphaDogs CAN YOU DESCRIBE YOUR COMPANY? We are a post production facility focused on online finishing, including color correction and audio mixing. We also have graphic artists and complete duplication, format conversion and tape output capabilities. Continue reading → December 5, 2016 The post Behind the Title: AlphaDogs colorist Sean Stack appeared first on Randi Altman's postPerspective.
December 2, 2016, 04:01 AM
http://jonnyelwyn.co.uk/film-and-video-editing/edi...
Learn how to use a Tangent Element Kb panel to edit and grade with in Premiere Pro. This post is pretty detailed!
#tangent element kb#editing and grading in premiere pro#colour grading toolsNovember 29, 2016, 08:10 PM
http://www.broadcastbeat.com/sgo-mistika-wins-hpa-...
The Hollywood Professional Association (HPA) has honored SGO’s Mistika with the prized 2016 HPA Engineering Excellence Awards at the prestigious HPA Awards gala held on November 17, 2016 at the Skirball Cultural Center in Los Angeles, California. The Engineering Excellence Awards were created to spotlight and reward companies and individuals providing services to the professional ...
November 23, 2016, 10:36 AM
http://www.redsharknews.com/tutorials/item/3968-re...
In the ninth episode of our exclusive 10-part tutorial series on how to edit video with Resolve, Darren Mostyn from Online Creative takes it all back to the origins of the software and looks at colour grading: scopes, nodes, auto-colour, primary grading, shot matching, Look Up Tables, grouping, stills, and more. TutorialsNon Linear EditingResolve
November 23, 2016, 10:35 AM
https://www.aotg.com/how-to-edit-4k-smoothly-in-resolve-the-ikea-way/
How to Edit 4K Smoothly in Resolve (the IKEA way)
November 22, 2016, 01:21 PM
https://filmschoolrejects.com/are-marvel-movies-ug...
here is no doubt that the Marvel Cinematic Universe is enjoying unprecedented success. A dozen-plus films, multiple franchises all interweaving around the same core storyline, and all dragging in hundreds of millions of dollars at the box office, not to mention mostly positive critical reception. Marvel hires well, casts well, promotes well, and delivers — for the most part — what its eager, loyal, and expectant fan base wants. There’s yet to be a Marvel movie that’s been univers...
November 21, 2016, 10:49 AM
https://fstoppers.com/post-production/tips-better-...
For many filmmakers who are getting into RAW workflows for the first time, or perhaps wanting to up their post-production skill set, color grading can at first appear to be a big, scary monster full of weird tools and a puzzling workflow that makes college physics seem simple. In this Q&A video from Film Riot, Colorist John Carrington answers some frequently asked questions regarding his approach and process to doing color work on video footage.
November 18, 2016, 10:19 AM
http://nofilmschool.com/2016/11/blackmagic-video-a...
The Blackmagic Video Assist line of monitor/recorders comes in at a healthy discount compared to similar competitors from Atomos and Convergent Design, but has long lacked many of the features that have made those popular choices worth the cost. With the release of firmware 2.3, one major feature that has been desperately needed is finally here: up to six 3D LUTs can be loaded to enable the end user to preview various looks and not be forced into viewing flat log or raw footage.
November 17, 2016, 01:38 PM
http://boingboing.net/2016/11/17/kodachrome-pt-1.h...
Color slides were once the state of the art in family photography -- vibrant, immersive, ubiquitous. So ubiquitous, in fact, that millions, maybe billions of them survive. A conversation with midcentury pop culture expert Charles Phoenix: What can we learn from the vast shadow world of abandoned slides about the way we used to live in our homes?
November 15, 2016, 01:12 PM
http://coloristpodcast.com/episode-006-rob-bessett...
Rob Bessette joins me on this episode of the Colorist Podcast. Rob is a senior colorist at Finish Boston and specializes in coloring commercials. With over 11 years of experience, Rob has had the opportunity to color spots for Toyota, Coca Cola, Sam Adams, Subway, Chili’s, Dunkin’ Doughnuts, and many others.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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