It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 20, 2016, 03:56 PM
http://www.provideocoalition.com/what-is-correct-c...
Sometimes you set out to answer an easy query and wind up questioning fundamental assumptions. Playing with test charts shouldn’t trigger an existential crisis, but you never know… Recently the folks at DSC Labs asked me to test an experimental color chart using a new surface finish. Their simple question: are the colors on the The post What is “Correct” Color? appeared first on ProVideo Coalition.
December 20, 2016, 03:56 PM
http://postperspective.com/the-mills-color-team-ad...
The Mill, known for its work on spots, games and music videos, is broadening its offerings to include creative digital intermediate work for feature-length indie projects. This new initiative is being led by Mill colorist and director of DI, Damien Van Der Cruyssen at The Mill’s New York studio. Continue reading → December 20, 2016 The post The Mill’s color team adds long-form work to offerings appeared first on Randi Altman's postPerspective.
December 20, 2016, 03:43 PM
https://jeffvlog.wordpress.com/2016/12/20/free-3d-...
Overall cool shift, greens getting the most influence. Highlights retain some warmth and skin tones remain mostly neutral. This pack includes versions specifically designed for S-Log1, S-Log2, S-Log3, BMD Film, and CLog. Click here to download.
December 20, 2016, 03:35 PM
http://www.creativeplanetnetwork.com/news/produce/...
Director Andy Goddard adapts the work of suspense author Patricia Highsmith (The Talented Mr. Ripley) with his new film A Kind of Murder, about two men who may or may not be involved in the disappearance of their respective spouses.
December 20, 2016, 08:27 AM
https://www.aotg.com/davinci-resolve-studio-used-for-cold-case-remake/
Fremont, CA - December 20, 2016 - Blackmagic Design today announced that the remake of the world wide hit drama series “Cold Case” was graded with DaVinci Resolve Studio. The new show, graded by Tetsuji Yamashita, a Colorist /Technical Director of IMAGICA, was delivered in both HDR and SDR versions.
December 19, 2016, 03:04 PM
http://www.provideocoalition.com/color-grading-und...
When recently Cognition completed VR post for “Underwater” they did more than that: they allowed senior colorist Mike Eaves to color-grade the video in real time and view the results in 360 space. The production of a new 360 video created by Soma Fashion Network for the HTC Vive virtual reality system was the background The post Color-grading Underwater in real time appeared first on ProVideo Coalition.
December 18, 2016, 10:23 AM
http://cinescopophilia.com/round-trip-adobe-premie...
Casey Faris shows how he round trips from Adobe Premiere Pro to DaVinci Resolve and then back to Premiere.
December 15, 2016, 01:32 PM
https://www.aotg.com/red-dogtrue-blue-graded-in-davinci-resolve-studio/
Blackmagic Design today announced that Colorist Deidre McClelland, CSI, used DaVinci Resolve Studio to grade RED DOG: True Blue, the highly-anticipated sequel to 2011’s RED DOG. McClelland graded the feature at post production studio Soundfirm’s Melbourne facility.
#color grading#post production#color correctionDecember 8, 2016, 04:24 AM
http://jonnyelwyn.co.uk/film-and-video-editing/col...
Colour Grading Tutorials for DaVinci Resolve 12.5 - Pro tips from professional colorists - Troubleshoot common problems - Learn compositing techniques - Leverage the power of Curves
#davinci resolve#tutorials#colour grading#troubleshooting resolve#importing media#resolve workflowsDecember 5, 2016, 01:29 PM
http://www.broadcastbeat.com/technicolor-postworks...
Colorist Anthony Raffaele crafts unique looks for documentary series on climate change. NEW YORK— Currently airing on the National Geographic Channel, the documentary series Years of Living Dangerously recently returned to Technicolor PostWorks New York to finish the eight 1-hour episodes that comprise its second season. Created by former 60 Minutes producers Joel Bach and ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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