To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ICA’s 2016 LED color quality survey

July 1, 2016, 11:41 PM

http://www.provideocoalition.com/indie-cinema-acad...

The folks at Indie Cinema Academy went ’round the show floor at NAB 2016 with a Lighting Passport spectrometer and measured every LED light they could get their hands on. They’ve just posted their initial results, the aptly-titled COMPLETE LED COLOR RENDERING DATABASE OF 2016: CRI, TLCI, CQS, TM30-15. With 165 lighting measurements, it’ll be pretty The post ICA’s 2016 LED color quality survey appeared first on ProVideo Coalition.

A Review of the Tangent Ripple - Quality Color Gra

July 1, 2016, 03:34 PM

https://www.groundcontrolcolor.com/blog/a-review-o...

Everybody who even dabbles in color grading seems to be excited about the first affordable color surface by Tangent, the Ripple. With a price that's roughly a third of other surfaces, it's a very interesting product indeed.

First Look: Tangent Ripple Control Surface

June 29, 2016, 05:47 AM

http://www.redsharknews.com/post/item/3588-first-l...

Here's an early peak at the Tangent Ripple control surface, which offers some of the functionality of the company's more upscale products at a fraction of the price. TangentRippleTangent RippleControl Surfacetrackballsfirst look

Last Call: Digital Bolex D16 to be Discontinued

June 28, 2016, 10:04 PM

http://www.provideocoalition.com/last-call-digital...

A blog post from Elle Schneider on the Digital Bolex site reveals the sad news: after 30 June 2016 at 11:59 PDT (that’s this Thursday night, folks), the D16 digital cine camera will no longer be sold. The website and support functions will continue, but the camera itself will no longer be available. No details were provided behind The post Last Call: Digital Bolex D16 to be Discontinued appeared first on ProVideo Coalition.

NYC – B&H: Advanced Color Grading with Avid & Ba

June 23, 2016, 10:01 PM

http://feedproxy.google.com/~r/industryhappenings/...

If you are an editor, a colorist or both, don’t miss the Studio-B&H special presentations on integrating the award-winning Baselight color grading software with Avid Media Composer editing features. During each of our two sessions, FilmLight will introduce the latest version of Baselight for Avid alongside the premium, compact control panel, Slate. You will see how a colorist and editor can collaborate using the full power of Baselight on an Avid timeline. This workflow gives the facility ...

#baselight#avid media composer
Match Moving Skies & Lens Flares In DaVinci Resolv

June 22, 2016, 04:26 AM

http://www.digimediapros.com/match-moving-skies-le...

In this tutorial, our special guest presenter Ben Brownlee, is back to show us how easy it is to track a still shot of a Sky that was composited (keyed) against a moving shot inside of a car looking out through the windshield.

Pro Insights from Colorist Colin Travers

June 20, 2016, 09:10 AM

http://www.premiumbeat.com/blog/colorist-colin-tra...

The professional color work of Colin Travers can be seen in everything from TV spots to full-length features. Here's his take on the industry.

Resolve in Under 5 Min: Better Built-In Noise Redu

June 15, 2016, 10:17 AM

https://www.aotg.com/resolve-in-under-5-min-better-built-in-noise-redu/

In this episode of DaVinci Resolve in Under 5 Minutes, Alexis Van Hurkman shows you how to get the most out of Resolve's built-in Noise Reduction tools.

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