It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 16, 2013, 12:26 PM
https://www.youtube.com/watch?v=bRnfpl1dh2Y
Should A Director Edit Their Own Movies? by Julie Corman
October 16, 2013, 12:26 PM
http://www.askaudiomag.com/articles/review-fxpansi...
FXpansion's BFD3 has arrived! BFD2 is still much loved and used for drum production... but, will BFD 3 take the crown for best acoustic drum instrument in a plug-in? Read our review to find out more.
October 16, 2013, 12:25 PM
http://layersmagazine.com/title-basics-with-adobe-...
In this video, Daniel Bryant shows off the basics of creating titles in Premiere Pro by creating a standard lower third title window and adding text. Daniel uses a gradient to overlay the text over the video. He also creates a preset to make other titles with ease, creates a shortcut to call the template quickly, and demonstrates how to add a vignette to the edges of the video.
October 16, 2013, 12:25 PM
http://filmmakeriq.com/2013/10/advanced-spin-fx-tu...
Andrew Kramer of VideoCopilot demonstrates how to create a dynamic spectral animation without 3rd party plug-ins
October 16, 2013, 12:25 PM
http://www.broadcastnewsroom.com/articles/viewarti...
The Society of Motion Picture and Television Engineers (SMPTE), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the SMPTE 2013 Symposium, "Next-Generation Imaging Formats: More, Faster, and Better Pixels," will feature the largest collection of 4K/UHD equipment yet presented in a single room. Offered in conjunction with the SMPTE 2013 Annual Technical Conference & Exhibition, the one-day ...
October 16, 2013, 10:08 AM
http://www.btlnews.com/crafts/post-production/todd...
Postproduction sound company TODD-SOUNDELUX announced it has reached an agreement to extend the lease term by 10 years for its Todd-AO West facility, located at Lantana in Santa Monica. Additionally, the lease added new space adjacent to Todd-AO West, creating Soundelux West for the company’s sound editorial presence. The new space will house some of the company’s creative talent, including supervising sound editors Wylie Stateman and Peter Brown.
October 16, 2013, 10:08 AM
http://www.btlnews.com/crafts/post-production/comp...
Company 3 London recently relied on Blackmagic Design’s DaVinci Resolve to color grade Captain Phillips. The film is based on the harrowing true life story of American shipping captain Richard Phillips, swept up in a hostage ordeal after Somali pirates hijacked his ship. The film was directed by Paul Greengrass, with Barry Akroyd as the cinematographer. Company 3’s senior colorist Rob Pizzey handled color correction.
October 16, 2013, 10:08 AM
http://twainthestoryteller.wordpress.com/2013/10/1...
Matthew Smith has been working Post jobs in LA for the last decade. “In 2004 I cut a feature film named, ‘Fish Without a Bicycle’. In 2006 I started editing Reality shows and have cut many since.” Most recently, Matthew was an editor on Storage Wars: NY. He’s currently an Assistant Editor on Glee. […]
October 16, 2013, 10:08 AM
http://postperspective.com/2013/10/4k-demo-at-smpt...
HOLLYWOOD — Next week, SMPTE is hosting the “Next-Generation Imaging Formats: More, Faster, and Better Pixels,” a one-day symposium that will take place on October 21, during the SMPTE Conference being held in Hollywood. There will be a complementary 4K/UHD demo area on premises that will remain open through October 23. Organized by Insight Media […]
October 16, 2013, 10:08 AM
http://blogs.adobe.com/jnack/2013/10/animography-a...
Animography looks promising: Our animated typefaces are Adobe After Effects files with each glyph in a separate composition. A controller-composition serves as a central point from which you can customize all the glyphs in one go. [Vimeo] [Via Dan Marcolina]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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