To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Guionar en el montaje: el caso de *Ser y tener* (
October 17, 2018, 04:43 AM
http://saeditores.org/Novedades/Guionar-en-el-mont...
Segunda entrega de la publicación de nuestra socia Jazmín Mehaudy, quien analiza el montaje y la estructura dramática en el caso de los documentales de observación, donde debido a la naturaleza de este tipo de rodajes, la intervención del proceso de edición resulta decisiva como en ningún otro caso. Esta segunda parte se centra en el estudio pormenorizado de la estructura del documental Ser y Tener (2002, Nicolas Philibert).
HP offerings from Adobe Max 2018
October 17, 2018, 04:43 AM
https://postperspective.com/hp-offerings-adobe-max...
By Brady Betzel HP workstations have been a staple in the post community, especially for anyone not using a Mac or the occasional DIY/custom build from companies like Puget Systems or CyberPower PCs. The difference comes with customers who need workstation-level components and support. Typically, a workstation is run through much tougher and stringent tests so the client can be assured 24/7/365 up-time. Continue reading → October 16, 2018 The post HP offerings from Adobe Max 2018 appear...
Shutterstock TECH TALK at MEWShop November 8th - T
October 17, 2018, 04:43 AM
http://manhattaneditworkshop.blogspot.com/2018/10/...
We've been told that you can't have it all. Today's digital storytellers are faced with the harsh realities of shrinking resources and growing expectations. Editors are facing pressures to work faster, producers have tighter budget constraints and cinematographers are expected to deliver beautiful images with less at their disposal. Fortunately, technology has helped bridge the gap and provides the ability to complete things quickly and at scale, without sacrificing quality. In this works...
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October 16, 2018, 12:19 PM
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Radeon Pro WX 8200: best workstation graphics perf
October 16, 2018, 12:18 PM
https://www.provideocoalition.com/radeon-pro-wx-82...
Created for real-time visualization, VR and photorealistic rendering, the Radeon Pro WX 8200 offers users the best workstation graphics performance for under $1000. $999, to be exact!
Matrox Ships Maevex 6121 Dual 4K Enterprise Encode
October 16, 2018, 12:18 PM
https://www.avnetwork.com/news/matrox-ships-maevex...
The What: Matrox Graphics has announce that the Matrox Maevex 6120 dual 4K enterprise encoder appliance is now shipping. Leveraging the same capture and real-time encoding technology as the Matrox Maevex 6150 quad 4K encoder, Maevex 6120 delivers simultaneous dual 4K capture, stream, and record—with options to stream and record even more channels in different configurations—all on a standard one Gigabit Ethernet network.
Grupo La República Publicaciones and EditShare
October 16, 2018, 11:34 AM
https://www.editshare.com/news/pr-grupo-la-republi...
Peru’s publishing house expands the traditional print business into a true multi-media production and distribution platform with XStream EFS scale out shared storage and Flow media asset management
#editshare#newsroom#xstream efs#multimediaFirst Premiere Rush Tutorials
October 16, 2018, 09:06 AM
https://www.premierebro.com/premiere-in-post/first...
7 Tutorials For Getting Started In Premiere Rush. With the debut of Premiere Rush CC, the all-new, all-in-one, cross-device editing app from Adobe, new users are going to be thirsty for tutorials. Here are the first-ever, non-Adobe tutorials to get you going in Premiere Rush.
#adobe#premiere#tutorials#rush#premiere rushEditor Charlene Short on Editing Serial Stories
October 16, 2018, 06:33 AM
https://www.aotg.com/editor-charlene-short-on-editing-serial-stories-2/
Editor Charlene Short talks about working with Media Composer for dramatic television programs and movies, how she built her career, and what she would say to students and assistant editors.
ASE PRESENTS – MELBOURNE
October 16, 2018, 06:32 AM
https://www.screeneditors.com.au/ase-presents-melb...
ASE PRESENTS SEAN LANDER Award winning Editor of "Kenny", "Grand Designs" and Avid trainer with 35 years experience discusses his work on "Brother's Nest". Join us at Soundfirm for presentation and drinks. November 2nd, 7pm 23-31 Fennell Street, Pt Melbourne, Victoria. ASE Members free. Non-Members $10. Please RSVP - RSVPVIC@screeneditors.com.au
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