It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 9, 2013, 04:14 AM
http://thatpostshow.com/thatpostshow/the-coloristo...
On this episode of That Post Show Kanen sits in his basement to talk to Juan Salvo about his new venture, DaVinci Resolve, indie filmmaking, and everything from iOS 7 to Breaking Bad.
October 9, 2013, 04:13 AM
http://provideocoalition.com/jfoster/story/rampant...
Plug-in free and platform/software agnostic, these drag & drop effects, lights, backgrounds, mattes and styles will give your video productions a professional edge with minimal effort. Professional grade effects for video editors and motion graphics artists in high-definition, broadcast quality QuickTime files. They work with all NLEs including Final Cut Pro, Adobe Premiere Pro, After Effects, Avid, Media 100, Sony Vegas and more. These are professionally crafted by Emmy® Award-winning VFX...
October 9, 2013, 04:13 AM
http://www.fxguide.com/featured/gravity/
One of the most impressive films of the year is Alfonso Cuarón’s Gravity, with digital production (the word post does not apply here), computer imagery and visual effects primarily provided by Framestore and lead by visual effects supervisor Tim Webber.
October 9, 2013, 04:12 AM
http://www.awn.com/news/business/disney-shutters-p...
Disney shutters Vancouver facility in the wake of reduced tax incentives; 100 employees laid off.
October 9, 2013, 04:12 AM
http://variety.com/2013/film/news/pixar-canada-clo...
Vancouver facility shuttered immediately in the wake of reduced tax incentives
October 9, 2013, 04:12 AM
http://www.pro-tools-expert.com/home-page/2013/10/...
Antares have announced that the AAX 32 and 64 bit versions of Auto-Tune 7 AAX Native are shipping.
October 8, 2013, 07:36 PM
http://postperspective.com/2013/09/rampant-offers-...
ORLANDO – Rampant Design Tools has launched four massive new libraries of its QuickTime-based drag-and-drop VFX elements for filmmakers, VFX artists and video editors, offing nearly 1,000 new high definition, visually stunning themed optical transitions and overlays. Rampant Design Tools also developed a resource for customers to help make the most of their workflow using […]
October 8, 2013, 07:36 PM
http://www.creativeimpatience.com/a-storm-or-a-spo...
Update: The 7.1 version due out in October is going to fix the issue altogether. Great job, Adobe! Being the one to spoil the party is no fun, especially if you like the host, or enjoy the meals. But when your favourite dish was rotten and received only a little ketchup treatment, … see more →
October 8, 2013, 07:36 PM
http://provideocoalition.com/dtorno/story/organize...
Disorganized project files have bugged me for the longest time. Everyone has dealt with it at one point or another. Your co-worker is unorganized and brings assets into a project haphazardly, a client supplies you with a jumbled mess of a project as a starting point, an...
October 8, 2013, 07:36 PM
http://blogs.adobe.com/aftereffects/2013/10/after-...
A couple of weeks ago, I participated in the After Effects World Conference. This was three days of seminars and interactive sessions with nearly 200 users of After Effects, instructors, and the team that makes After Effects—including one day here at the Adobe offices in Seattle. I would like to thank Michelle Gallina of Adobe and the whole team at Future Media Concepts (including Jack Reilly, Ben Kozuch, Eran Stern, and Rich Harrington) for making this happen. We got a lot out of talking ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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