To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
When someone asks how my show is going
October 5, 2018, 12:07 PM
http://renderplease.tumblr.com/post/178761784610
Weber Looks Back on His Collaborations With Malick
October 5, 2018, 10:04 AM
https://variety.com/2018/artisans/production/crite...
Editor Billy Weber has been one of reclusive filmmaker Terrence Malick’s preferred craftspeople. Their relationship has spanned 1973’s “Badlands,” 1978’s “Days of Heaven,” 1998’s “The Thin Red Line” and 2011’s “The Tree of Life.”
Boris FX Releases Mocha Pro 2019
October 5, 2018, 10:04 AM
https://news.creativecow.net/story/894441
(Boston, MA--October 4, 2018) The Academy Award®-winning team behind Mocha planar tracking is once again changing how post-production teams create visual effects with its new release, Mocha Pro 2019. Mocha Pro 2019 from Boris FX, the industry’s leading plug-in developer, builds on its mission to reduce the time-consuming pain points and manual work generally associated with high-end visual effects.
EditShare Leads NAB NYC Lineup
October 5, 2018, 10:04 AM
https://news.creativecow.net/story/894452
(Boston, MA--October 4, 2018) EditShare, a technology leader in intelligent shared storage and media management solutions, will showcase its multi-award-winning EFS scale-out intelligent shared storage solutions, Flow media asset management, now compatible with third-party storage , and its award-winning approach to AQC of IMF files with QScan on booth N332 at the NAB Show New York from October 17th and 18th, 2018 at the Javits Convention Center in New York City.
Archiware introduces LTFS support
October 5, 2018, 06:47 AM
http://www.archiware.com/sites/default/files/atoms...
Archiware GmbH, leading manufacturer of data management software, has released the newest version of its P5 Software Suite. Prominent features in P5 version 5.6 include LTFS support, support for Microsoft Azure, Hitachi S3, Wasabi S3 and Backblaze B2 cloud services and new functionalities for P5 Synchronize.
#archive#backup#ltfs#archiwareAssistant Editors' Bootcamp to present October We
October 5, 2018, 06:13 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BURBANK, CA — Assistant Editors’ Bootcamp (www.assistbootcamp.com) will host a Webinar and in-person training session on Saturday, October 20th, titled ”Assistant Editing for Scripted Television.” The program is designed to teach beginner to intermediate assistant editors about scripted television workflows, including paperwork, dailies, temp sound and music, and basic VFX editing. The all-day class will be presented by working assistant editor, Emily Streetz and will cost $300 for t...
Email from Film Editing Pro – Don’t make these
October 5, 2018, 06:12 AM
http://wordpress.quintessentialstudios.net/?p=927
I received this email from Film Editing Pro about a month ago, and have received permission to share it with you. As you may or may not know, I spent the summer interning for one of the top trailer companies out there. I spent my time earning how to do assistant editor duties. Since that [...]
Editors Behind Marvel’s Biggest Shows Discuss In
October 5, 2018, 06:11 AM
https://variety.com/2018/gaming/features/spider-ma...
Spider-Man has been featured on the silver screen six times in the last sixteen years. That doesn’t include the web-crawlers appearance in “Captain America: Civil War,” “Avengers: Infinity War,” or any of his recent animated depictions. It’s safe to say this New Yorker has a deep connection with visual storytelling that has given creators a lot to build off of with each new attempt at telling the hero’s tale.
cineSync and Avid win Engineering Emmy Awards
October 5, 2018, 06:11 AM
http://www.cgchannel.com/2018/10/cinesync-and-avid...
The most recent cineSync customer showreel. Cospective’s remote shot review and approval tool has just been awarded an Engineering Emmy Award, while Avid wins a corporate lifetime achievement award.
5 Reasons to NOT fix it in post
October 5, 2018, 06:11 AM
https://nofilmschool.com/2018/10/5-reasons-why-you...
There are so many powerful post-production tools out there that basically perform magic. They can add incredible effects and fix horrible mistakes with but a click of a button, so why do experienced filmmakers always tell up-and-comers not to "fix it in post?" Even though there are some cinematic blunders that can be corrected with the help of a beefy editing program, the vast majority of them are going to require a reshoot rather than a retouch. In this video from Aputure, Benny from the A-Team...
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.