It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 9, 2016, 10:27 AM
https://www.aotg.com/london-has-fallen-vfx-breakdown-by-worldwide-fx-3/
Worldwide FX have just released the VFX breakdown about their work on LONDON HAS FALLEN...
March 9, 2016, 05:55 AM
https://www.aotg.com/london-has-fallen-vfx-breakdown-by-worldwide-fx-4/
Led by the Senior Visual Effects Supervisor Sean Farrow, and the Visual Effects Producer Anna V. James, Worldwide FX was lead VFX studio on "London Has Fallen" delivering more than 400 shots, 124 of which dedicated to the action sequence in front of Saint Paul's Cathedral.
March 9, 2016, 05:55 AM
http://www.skwigly.co.uk/bfx-bournemouths-visual-e...
Bournemouth’s visual effects, animation and gaming Festival is back, running between 10-16 October 2016
March 9, 2016, 05:54 AM
http://www.animationmagazine.net/events/fmx-to-fea...
Organizers of the 2016 FMX conference, taking place April 26-29 in Stuttgart, have revealed new details of this year’s programming. Attendees can look forward to presentations on Pixar’s Oscar-winning animated feature Inside Out, the visual effects techniques of six-time-Oscar-winning actioner Mad Max: Fury Road, virtual reality storytelling and more.
March 8, 2016, 08:06 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Award-winning VFX supervisor and lead artist Michael Gregory has joined MPC Los Angeles (www.moving-picture.com) as head of 2D. He comes on board from MPC London, where for the past 13 years he worked on many acclaimed commercials, including Channel 4’s Cannes Film Craft Grand Prix-winner Meet the Superhumans for the Paralympics Games. Gregory brings expertise leading teams on large-scale projects, aesthetic sensibilities and long-standing relationships with top directors...
March 8, 2016, 08:05 PM
http://www.redsharknews.com/production/item/3304-h...
The weight is over for the latest effort from OK Go, famed purveyors of mindbending, achingly choreographed and sometimes groundbreaking music videos. zero gMusic videoOK GO
March 8, 2016, 08:04 PM
https://www.aotg.com/motion-in-under-5-min-creating-custom-transitions/
In this episode Mark Spencer show you how to quickly create a very clean and customizable transition using the Motion's replicator tool.
March 8, 2016, 10:36 AM
https://fxfactory.com/blog/after-effects/hong-kong...
Editing Virtual Reality Footage using Apple FCPX and Dashwood 360VR Toolbox
March 8, 2016, 10:36 AM
https://www.aotg.com/man-from-uncle-vfx-breakdown-reel/
Cinesite was involved in an exciting boat chase sequence following Solo and Kuryakin’s quick escape from the Aerospace building. Everything above the waterline was recreated digitally in this sequence, including all of the dockside buildings and environment, which was replaced with a CG Italian version; only the foreground water and boat were kept from the original footage.
March 8, 2016, 10:35 AM
http://business.tutsplus.com/articles/best-new-aft...
2016 is well underway! Now’s a great time to work on your video marketing. Do you need to promote your new business? Showcase your upcoming product launch? Create a video presentation or viral ad? Are you ready to fire up After Effects and get to work?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.