To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Camerimage Will Award Carol Littleton the Editors
October 2, 2018, 12:44 PM
https://variety.com/2018/artisans/awards/the-big-c...
Carol Littleton, whose work spans “E.T. the Extra-Terrestrial.” “The Big Chill, “Twilight” and “A Walk in the Woods,” will receive the award for Editor with Unique Visual Sensitivity at the Camerimage Film Festival, which will take place from Nov. 10 to 17 in Bydgoszcz, Poland.
RTW Presents TM9 19-Inch Rack-Mount at AES 2018
October 2, 2018, 12:43 PM
https://www.aotg.com/rtw-presents-tm9-19-inch-rack-mount-at-aes-2018/
RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, will showcase its new 19-inch 4U rack-mount (MA4U) version of its TM9 TouchMonitor at AES 2018 (Booth 504G – Avid Pavilion). The reconfigured unit brings all the audio monitoring features of the standalone RTW TM9 in a new design that is more easily accessible to users in studio settings.
#rtwThe Best Premiere Products from September 2018
October 2, 2018, 12:14 PM
https://www.premierebro.com/blog/the-best-premiere...
September 2018: Top Free And Paid Presets, Plugins, And Products For Premiere Pro.
#editing#adobe#premiere pro#premiere#adobe premiereWhen I hear someone say my name at work
October 2, 2018, 09:18 AM
http://renderplease.tumblr.com/post/178667640485
How I edited a complex feature documentary with in
October 2, 2018, 06:33 AM
https://www.provideocoalition.com/how-i-edited-a-c...
I recently completed a feature-length documentary edit using Adobe Premiere Pro CC 2018 (12.1.2), and we had zero* crashes during the four week + edit. Was I shocked by this? Not at all. PPro is very stable for me, and I had no fears about stability when I jumped into this edit. It’s not the first longform documentary with a mountain of different formats and frame rates I’ve cut in PPro, and it won’t be the last.
UltraSync BLUE: a new timecode over Bluetooth solu
October 2, 2018, 06:33 AM
https://www.provideocoalition.com/ultrasync-blue-a...
Available this October, UltraSync BLUE from Timecode Systems is the first solution to use the company’s new patented timecode sync and control protocol to transmit timecode wirelessly to a recording device.
Lisa Churgin, ACE, on Cutting The Old Man & the Gu
October 1, 2018, 04:13 PM
http://www.studiodaily.com/2018/10/lisa-churgin-ac...
Director David Lowery’s The Old Man & the Gun, allegedly the final film starring Robert Redford, is a master class in point and counterpoint. Co-stars Sissy Spacek and Casey Affleck, a Lowery regular, sweetly saunter in a kind of Texas shuffle around Redford’s charming serial bank robber, Forrest Tucker, gently tipping their hats while in […] The post Lisa Churgin, ACE, on Cutting The Old Man & the Gun appeared first on Studio Daily.
Looking for someone to approve something
October 1, 2018, 04:12 PM
http://renderplease.tumblr.com/post/178637881615
Extending Motion’s 3D Capabilities with m02 from
October 1, 2018, 09:02 AM
http://www.fcp.co/final-cut-pro/articles/2116-exte...
Motion has had 3D capabilities for a while, but they haven't been updated since 2009 for the basics and 2015 with 3D text. Motion VFX's updated plugin m02 adds much more 3D functionality and of course creativity to the app. We spoke to MotionVFX who kindly gave us a quick tour of the app and its 3D capabilities.
After Effects News 2018 September #3
October 1, 2018, 03:19 AM
https://www.provideocoalition.com/after-effects-ne...
Recently in After Effects there’s news on the how pro users leverage Creative Cloud apps, approaches to creativity and worklife, wiggle and repeating shapes, some infographic tutorials, glows, Blackmagic RAW and other codec news, and more.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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