To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Stereo errors in converted films: how they arise?

August 30, 2013, 03:28 AM

http://compression.ru/video/vqmt3d/report3/

3D stereo leaves nobody indifferent – it has got a lot of delighted supporters and many critical opponents. The opponents sentence 3D to death because of its technical problems and stereoscopic errors, causing headache and eye-strain. However, many problems can be solved, if to try to understand their reasons. Graphics & Media Lab managed to do it in its VQMT3D Project. The third report is dedicated to quality analysis of S3D films converted from 2D footage during post-production.

#stereo#2d to 3d conversion#3d errors#3d artifacts#3d films
FCP X grading styles and tools

August 29, 2013, 06:17 PM

http://digitalfilms.wordpress.com/2013/08/30/fcp-x...

One of the aspects I enjoy about Final Cut Pro X is the wealth of tools and methods for color correction, grading or whatever you want to call the process. There simply is no other NLE on the market with as many built-in and third-party tools for making adjustments to image color and style. I’m […]

Seasoned film editor takes Premiere CC

August 29, 2013, 01:46 PM

http://provideocoalition.com/adobe/story/seasoned-...

Born in Rome, raised in Switzerland, and son of director Andre de Toth, Nicolas de Toth is a second generation film maker. After studying acting for six years Nick worked in production, occupying various positions, from gaffer and grip to production manager. His editing career started as an...

Adobe Anywhere

August 29, 2013, 01:46 PM

http://feedproxy.google.com/~r/CrewsControl/~3/T4t...

Cloud-based technologies are becoming a widely accepted practice for streamlining your data asset management. During the post-production phase it is a routine practice to exchange files with multiple individuals at a time. This process can be quite cumbersome and time consuming based on a number of variables related to FTP transfer protocols. Read More

Growing Your Post Business: An Interview with Zeb

August 29, 2013, 10:37 AM

http://www.screenlight.tv/blog/2013/08/28/growing-...

Running a growing production or post company is hard. As business starts to pick up, challenges like hiring the right people, deciding on the right pace of expansion, and keeping the pipeline full of the right jobs start to occupy more and more time. This week, I spoke with Zeb Chadfield about the approach he is taking to expanding The Finish Line, his London-based post production company that specializes in picture finishing, online editing and colour grading for broadcast television. What...

Adobe Anywhere

August 29, 2013, 10:37 AM

http://feedproxy.google.com/~r/CrewsControl/~3/T4t...

Cloud-based technologies are becoming a widely accepted practice for streamlining your data asset management. During the post-production phase it is a routine practice to exchange files with multiple individuals at a time. This process can be quite cumbersome and time consuming based on a number of variables related to FTP transfer protocols. Read More

Optimus Signs Jon Desir as New VFX/Design Executiv

August 29, 2013, 10:37 AM

http://www.btlnews.com/crafts/post-production/opti...

Optimus announced that former Red Car Chicago EP Jon Desir has joined the post and production house as its new VFX/design executive producer. Desir brings years of graphics, design and VFX expertise to Optimus’ creative services bench.

Edit HD Footage on Older PCs with Premiere

August 29, 2013, 10:36 AM

http://www.groovypost.com/howto/edit-hd-footage-ol...

HD Video Editing is easy with a powerful computer with a good GPU and a lot of RAM. If you have an older PC, check out this three part guide for HD video editing on it.

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