It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 6, 2013, 11:35 AM
http://www.fcp.co/final-cut-pro/tutorials/1198-sec...
You've got to love any article that has the word 'secret' in the title. It's that time of the week for the latest MacBreak Studio episode and both guys discover something new about FCPX.
August 6, 2013, 11:35 AM
https://www.videoguys.com/Blog/E/Well+known+video+...
August 6, 2013, 10:56 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
A discussion with Creative Director WILL JOHNSON of Gentleman Scholar.Give us a little background on Gentleman Scholar.We are a multimedia production studio based in Los Angeles, founded in 2010 by William Campbell and myself. We handle everything from live-action to design and animation for commercials, music videos, interactive content and more. Over the last few years we've worked with dozens...
August 6, 2013, 10:55 AM
http://aframe.com/blog/2013/08/06/how-to-choose-th...
There are a few factors to consider when selecting the best storage solution for your video files and the trick is to find the solution that offers the best balance between them.
August 6, 2013, 10:55 AM
http://provideocoalition.com/ssimmons/story/it-loo...
It probably won’t come as a surprise to anyone but it would appear that Avid is finally going to bring the axe down on their long suffering, little loved, often misunderstood but rabidly niche product the Avid D|S. Rumors of the demise of DS have floated about for a long time, most recently at NAB 2013 when Avid didn’t see fit to even bring DS to the show floor.
August 6, 2013, 10:55 AM
http://provideocoalition.com/mspencer/story/secret...
This week on MacBreak Studio, Steve Martin from Ripple Training and I share a couple of tips for selecting clips in a Final Cut Pro X project.
August 6, 2013, 10:54 AM
http://community.sony.com/t5/F5-F55/NEW-AVID-Media...
We have released the 4K RAW AMA plug-in for AVID Media Composer v7.
August 6, 2013, 09:24 AM
https://www.aotg.com/the-kings-of-summer-colored-with-davinci-resolve/
Blackmagic Design today announced that DaVinci Resolve was used for color correction on the coming of age comedy “The Kings of Summer.” Distributed in the US by CBS Films, the indie darling, which premiered to rave reviews at the 2013 Sundance Film Festival and opened in theaters across the US on May 31, tells the story of three teenage friends who decide to spend their summer building a house in the woods and living off the land.
#blackmagic design#davinci resolveAugust 6, 2013, 07:39 AM
https://www.aotg.com/signiant-ibc-2013-news-preview/
At IBC 2013, Signiant Showcases groundbreaking European Media Shuttle Deployments at Stand 14.125, Hall 14
August 6, 2013, 06:16 AM
http://icolorist.com/how-cheaper-software-color-co...
From 1950-2000 not much changed in feature film grading. A lab color timer graded from film in the laboratory. We watched movies projected from film that were shot on film. In the TVC/TV world between 1985 and 2005 not much changed we graded mainly film negative in a high end grading room.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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