To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Post Meet: How To Become A 'Full-Time' Freelance
September 16, 2018, 04:15 PM
https://www.youtube.com/watch?v=ouIPapjaRig
Rebroadcast of our monthly LIVE Post Meet which you can join to ask your questions by becoming a patron. https://patreon.com/thisguyedits The featured topic was "How To Become A 'Full-Time' Freelance Editor" followed by a Q&A with attending Patreon members. Here is the email by Kyle that inspired the topic: "Hi Sven, I'm a huge fan of your channel and I am sure you get hundreds of emails like this so I will try to keep it short. I am currently a A/V high school teach...
Arrows for Final Cut Pro X
September 16, 2018, 04:14 PM
https://fxfactory.com/blog/effects-2/arrows-for-fi...
60 animated arrow templates for FCPX and 10 different styles for pointing out any part of your video!
CoreMelt PaintX
September 16, 2018, 06:12 AM
https://digitalfilms.wordpress.com/2018/09/15/core...
When Apple launched Final Cut Pro X, it was with a decidedly simplified set of video effects. This was enhanced by the easy ability for users to create their own custom effects, using Apple Motion as a development platform. The result has been an entirely new ecosystem of low-cost, high-quality video effects. As attractive as […]
Who won the EPIC EDITING CHALLENGE?
September 15, 2018, 03:40 PM
https://www.aotg.com/who-won-the-epic-editing-challenge/
Thousands downloaded the dailies. Hundreds submitted their cut. Only one will take the main prize of a MacBook Pro and gear from LaCie, a full year worth of Adobe Creative Cloud and a premium Filmstro License.
AJA Shows 12G-SDI-Capable Kona 5 at IBC
September 15, 2018, 10:00 AM
http://www.studiodaily.com/2018/09/aja-shows-12g-s...
AJA has decided it’s time to bump the venerable Kona card up a notch — at IBC, it showcased the Kona 5 ($2,995), an eight-lane PCIe 3.0 I/O card with four bi-directional 12G-SDI ports and HDMI 2.0 output. 12G-SDI means that the Kona 5 supports 4K UHD, high-frame-rate HD, deep color and HDR over a […] The post AJA Shows 12G-SDI-Capable Kona 5 at IBC appeared first on Studio Daily.
Matrox showcases its new 4K Monarch
September 15, 2018, 10:00 AM
https://www.redsharknews.com/production/item/5801-...
Expanding on the award-winning Monarch streaming and recording product line, Matrox Technical Marketing Manager, Dan Maloney highlights the new Matrox Edge. It’s essentially a multi-channel and 4K-capable H.264 encoding appliance, which the company says will encode and transport pristine-quality, 4:2:2 10-bit video at very low latencies.
Blackmagic Design announces public beta of RAW cod
September 14, 2018, 12:23 PM
http://www.postmagazine.com/Press-Center/Daily-New...
AMSTERDAM — At IBC 2018, Blackmagic Design announced the public beta of Blackmagic RAW, a new codec that combines the quality and benefits of RAW with the ease of use, speed and file sizes of traditional video formats. Blackmagic RAW is an intelligent format that gives users high-quality images, performance, cross platform support and a free developer SDK.
When my AVID finally gets upgraded
September 14, 2018, 12:23 PM
http://renderplease.tumblr.com/post/178082135630
Blackmagic Design Says It’s Made a Better Raw Fo
September 14, 2018, 12:23 PM
http://www.studiodaily.com/2018/09/blackmagic-desi...
Blackmagic Design is making a bid to accelerate post-production workflow with today’s announcement of Blackmagic Raw, a new high-performance, open-format codec with 12-bit nonlinear color. It’s free (in beta) for users of Ursa Mini Pro cameras and Blackmagic DaVinci Resolve. Raw formats typically improve final image quality by reserving critical color adjustments — particularly the demosaic process […] The post Blackmagic Design Says It’s Made a Better Raw Format appeared first ...
AJA unveils new 12G-SDI, IP and HDR solutions at I
September 14, 2018, 12:22 PM
https://www.provideocoalition.com/aja-unveils-new-...
New tools and updates that optimize the creation and delivery of multi-format content, as well as emerging IP and HDR standards and formats, are highlights of AJA’s presence at IBC 2018.
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