To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Codex Provides Tech for 120 FPS Experiment

July 18, 2013, 04:31 AM

http://news.creativecow.net/story/872125

(London, UK--July 17, 2013) Filmmaking pioneer Douglas Trumbull recently used Codex recording technology in the production of UFOTOG, the world’s first high-frame rate (120 fps), stereoscopic 3D film. Trumbull and his production team at Trumbull Studios employed Codex Onboard S Recorders to capture 4K raw data from a pair of Canon C500 cameras, each shooting at 60 fps. The project, which is currently in post production, is designed to demonstrate the potential of high frame rate imagery and Tr...

Eyeheight announces complianceSuiteFCX plug-in

July 18, 2013, 04:31 AM

http://broadcastengineering.com/video-t-amp-m/eyeh...

ComplianceSuiteFCX allows true file-based workflows from concept to playout by enabling users to verify and conform their content prior to submission to any file-based quality control system, all from within their familiar Final Cut environment.

Free Final Cut Pro Steel Template

July 17, 2013, 09:18 PM

http://connerpro.com/steel/

Steel: Free Final Cut Pro X Template.

ASSIMILATE Announces the Affordable Scratch

July 17, 2013, 05:07 PM

http://provideocoalition.com/news/story/assimilate...

ASSIMILATE, a leading global provider of dailies and post-production tools for digital cinema and broadcast workflows, today announced it is extending the Industry's...

Matrox Releases Support for Adobe CC

July 17, 2013, 01:36 PM

http://www.digitalproductionbuzz.com/2013/07/matro...

Matrox MXO2 family of I/O devices and Matrox Mojito MAX card tightly integrated with popular editing apps to maximize performance of I/O workflows.

ScreenLight Benchmarked: Faster Uploads

July 17, 2013, 01:35 PM

http://www.screenlight.tv/blog/2013/07/16/faster-u...

We've spent a lot of time building a platform that makes it quick and easy for video professionals to upload, share and get feedback on videos during production.

Assimilate Announces Subscription Model

July 17, 2013, 01:35 PM

http://www.premiumbeat.com/blog/assimilate-announc...

Assimilate is now offering a yearly subscription for it's industry leading Scratch and Scratch Lab DI and dailies system - an ideal model for large scale film productions.

Grass Valley Moves Icelandic TV to HD

July 17, 2013, 01:34 PM

http://www.tvtechnology.com/article/grass-valley-m...

TVTechnology The solutions will enable 365 Media to deliver live event programming from remote locations to its viewers.

Endemol Uses Aframe to Speed Review and Approval

July 17, 2013, 11:24 AM

http://aframe.com/blog/2013/07/16/endemols-initial...

Producers Move 75-Minute, Full-Res Weekly Episodes To Review Team In Under an Hour, Instead of Next Day...

#cloud computing#video production
How to Set Up AE for Network Rendering

July 17, 2013, 09:49 AM

http://hub.tutsplus.com/tutorials/how-to-set-up-ae...

In this tutorial we'll discuss how to setup a network for multi-machine rendering in After Effects and how we can take advantage of watch folders to help automate the process.

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