To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Telestream Episode 4.6.1 and Wirecast 4.3

June 27, 2013, 01:52 PM

http://www.toolfarm.com/blog/entry/updates_telestr...

If you’re a Telestream user, get the latest dot updates for Episode and Wirecast.

Target a Particle From a Standard Emitter in Cinem

June 27, 2013, 01:52 PM

http://www.toolfarm.com/blog/entry/tutorial_target...

In this Cinema 4D tutorial, I will show you how to make a camera follow a single particle from a standard emitter.

Additive vs. Subtractive Color Correction

June 27, 2013, 09:35 AM

http://www.premiumbeat.com/blog/video-editing-addi...

Get effective color grading results by using a subtractive color corrector, instead of the additive color correction filter that comes with your video editing software. In this post we share the benefits of subtractive color correction and how to use it in your video editing projects!

Adobe Software Moves to the Cloud...

June 27, 2013, 09:35 AM

http://www.videoguys.com/Blog/E/Adobe+Software+Mov...

Adobe Creative Cloud, the latest update to the Adobe application suite of programs, was released last week. This release marks a major change for Adobe away from...

Presentacion en Barcelona de Pablo Rio

June 27, 2013, 09:35 AM

http://feedproxy.google.com/~r/norendercom/~3/qrTY...

Hoy hemos asistido a la presentacion en Barcelona -el da 25 y 26 se hizo en Madrid y ma ana ten is una ltima oportunidad en Barcelona- del software/hardware de acabado de Quantel, Pablo Rio. Una herramienta que combina el conformado...

EditShare in Studio and Production Upgrade

June 27, 2013, 09:35 AM

http://www.btlnews.com/crafts/post-production/edit...

EditShare, providing shared media storage technology and end-to-end tapeless workflow systems, announced that William Paterson University (WPU) has purchased 80TB of EditShare Energy shared storage, four EditShare...

The Color of The Bling Ring

June 27, 2013, 09:34 AM

http://www.studiodaily.com/2013/06/the-color-of-bl...

Jeff Flohr is an experienced New York City DIT — the first in New York to use Scratch Lab as his go-to dailies software for feature films and commercials. Flohr was brought on to the set of Sofia Coppola’s latest feature, The Bling Ring, by DP Harris Savides. Flohr ended up taking over the entire DI for the film as well — an challenging transition from DIT to DI artist — doing the conform, color-grading, compositing, and finishing in Scratch.

AE - Create a Simple Typewriter Animation

June 27, 2013, 09:34 AM

http://ae.tutsplus.com/tutorials/motion-graphics/q...

In this Quick Tip we will learn how to create a typewriter effect using a simple setup that will help us control when the characters appear. We will see how

A Workflow for Simultaneous Raw and HD

June 27, 2013, 09:33 AM

http://www.creativeplanetnetwork.com/digital-cinem...

Andy Shipsides of AbelCine provides a video tutorial for recording simultaneously in raw and HD on the Sony F55 (which can also apply to the F5).

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