To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Tommy Smith joins Carbon as VFX Supervisor
August 5, 2021, 09:01 AM
https://postperspective.com/tommy-smith-joins-carb...
VFX supervisor Tommy Smith has joined creative studio Carbon. He has more than 15 years of experience working at studios such as Psyop, The Mill and Method. He also had a two-year stint with Apple as creative director across technology projects. Smith says he looks forward to his work at Carbon because it allows him to use his skills across both 2D and 3D. Continue reading → August 4, 2021 The post Tommy Smith joins Carbon as VFX Supervisor appeared first on postPerspective.
How the VFX Team Behind Marvels Loki Brought Mi
August 4, 2021, 09:03 AM
https://variety.com/2021/tv/news/loki-miss-minutes...
As Marvel continues dipping its toes in TV — snagging 28 Emmy nominations in the process — its latest venture, the Disney Plus miniseries “Loki,” is being hailed as one of the studio’s most unique anti-hero stories to date.
Das Element uses AI to organise your VFX asset lib
August 4, 2021, 09:03 AM
http://www.cgchannel.com/2021/08/das-element-uses-...
3dfx might indeed be back again according to its l
August 4, 2021, 09:03 AM
https://www.neowin.net/news/3dfx-might-indeed-be-b...
A few days earlier, an allegedly official Twitter account of 3dfx Interactive announced that it's returning on August 5. Today, the same handle has posted again sharing some more related information.
BlueBolt Environments Showreel 2021
August 4, 2021, 09:03 AM
https://www.artofvfx.com/bluebolt-environments-sho...
London based studio BlueBolt have released this VFX Breakdown focusing on their environments for Peaky Blinders, Cobra, Catherine the Great and many more...
Morning Watch Black Widow VFX Breakdown Making t
August 4, 2021, 09:02 AM
https://www.slashfilm.com/the-morning-watch-black-...
In this edition, check out a Black Widow VFX breakdown showcasing some of the work done on the Marvel Studios blockbuster starring Scarlett Johansson. Plus, listen as composer Marco Beltrami talks about the process of composing the score for the Fear Street trilogy on Netflix. And finally, get a recipe for Sloppy Steaks from I Think You Should Leave that isn’t just water and steak.
Short Animation Series Aoi Hane Mitsuketa! Posted with DaVinci Resolve Studio
August 4, 2021, 08:50 AM
https://www.blackmagicdesign.com/media/release/202...
Fremont, CA – August 4, 2021 – Blackmagic Design today announced the anime series “Aoi Hane Mistuketa (Finding a Blue Feather),” produced by anime production company Noovo Inc., was posted using DaVinci Resolve Studio. The series, which was also granted a MegaGrant by Epic Games, used DaVinci Resolve Studio for editing and used the Fusion page to create background images in conjunction with Epic’s Unreal Engine. Produced with the latest technology, the series consists of six five m...
#editing#vfx#post production#fusion#collaboration#davinci resolve studio#animeEpisode 310 — CHALK WARFARE Director — Sam Wickert
August 3, 2021, 10:22 AM
https://www.allanmckay.com/310/
Autodesk Update Overhauls User Onboarding
August 3, 2021, 08:52 AM
https://www.awn.com/news/autodesk-update-overhauls...
Quicker artist onboarding includes personalized startup, new search feature, and an in-app interactive tutorials; update helps artists get up and running quicker and more easily.
Cinesite Shares ‘Black Widow’ VFX Breakdown Reel
August 3, 2021, 08:51 AM
https://www.awn.com/news/cinesite-shares-black-wid...
VFX supervisor Ben White and his team tackle a CG BMW, a nasty arm-wrestling match, and a Russian prison guard attitude adjustment, in Marvel Studios’ latest MCU adventure.
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