To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sagmeister and Walsh Interview

June 4, 2013, 09:49 AM

http://vimeo.com/58575990

This interview directed by Mario De Armas gives a look into the work process of renowned designers Stefan Sagmeister and Jessica Walsh. Produced by Josh Meckes...

Sometimes a jump cut...

June 4, 2013, 04:27 AM

http://www.davidbordwell.net/blog/2013/06/03/somet...

I had spent a day studying King Hu's The Valiant Ones at an archive. That night over dinner, my friend asked me what was taking me so long. I answered, "I'm trying to figure out his secrets....

Cine Gear 2013 Wrapup

June 4, 2013, 04:27 AM

http://provideocoalition.com/freshdv/story/cine-ge...

I've always enjoyed the pace of Cine Gear more than NAB expo. Set on the Paramount LA backlot on street sets and amongst huge sound stages, it's smaller, more intimate, and a lot more cine-focused.

Last Chance to Upgrade Your Old System to Media Co

June 4, 2013, 04:26 AM

http://community.avid.com/blogs/avidblogs/archive/...

The post Last Chance to Upgrade Your Old System to Media Composer appeared first on Avid Blogs . Read More......(read more)

Online - Tagging and Keyword Strategies in FCP X w

June 4, 2013, 04:26 AM

http://feedproxy.google.com/~r/industryhappenings/...

In this webinar you will learn some best practices for staying organized inside Final Cut Pro X and other non-linear editing programs. Presenter: Bill Davis Air Date: June 4, 2013 Air Time: 11:30 AM PDT CLICK HERE FOR MORE INFO AND TO REGISTER

AE Seattle June 6, 2013 Meetup

June 4, 2013, 04:24 AM

http://www.toolfarm.com/blog/entry/event_ae_seattl...

Hosts Chad Perkins and Topher Welsh are holding their next user group meeting on Thursday night at Adobe HQ.

Smoke 2013, Ext 1, is now available for download!

June 4, 2013, 04:23 AM

http://www.motionvfx.com/mblog/post,p2535.html

Autodesk Smoke 2013, Extension 1, is now available for download!

Murch on Editing and His Translations of Malaparte

June 3, 2013, 05:24 PM

http://filmmakermagazine.com/72060-walter-murch-on...

While editing The Unbearable Lightness of Being in France, Academy Award-winning film editor and sound designer Walter Murch came across a reference to Italian

FCP: 5 YouTube Channels Full of Tips

June 3, 2013, 05:14 PM

http://feedproxy.google.com/~r/deysonortiz/feed/~3...

Here are some links to tutorials for Final Cut. Learn it, master it and love it! Final Cut Pro: 5 YouTube Channels Full of Tips.

Can Blackmagic resurrect film?

June 3, 2013, 05:14 PM

http://www.redsharknews.com/business/item/773-can-...

You know what you never hear in the edit bay? "This looks too much like film, can we make this look less filmic?" John Burkhart reports...

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