It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 18, 2016, 08:43 PM
Darryl Johnson is a 3D generalist working for studios in LA like Blur and Blizzard Cinematics, as well as previously in Detroit at various car commercial houses.
January 18, 2016, 06:26 PM
https://www.aotg.com/2-day-cineschool-with-tom-antos/
The 2-Day Cine School is hitting the road with Tom Antos’ and heading across the US, Canada, & Europe to show you how to get that Hollywood look on any budget. Tom is teaching an Editing + VFX session on the 1st Day & a full-day Interactive Master Class on the 2nd Day. Our Interactive Master Classes give you a chance use a variety of equipment while playing the part of director, DP, camera operator, and more while we shoot and edit as a class.
#vfx#animation#learn#filmmaking education#class#teachJanuary 18, 2016, 01:29 PM
https://www.aotg.com/the-vfx-of-creed/
a visual effects breakdown of our work on Ryan Coogler`s "Creed" with Sylvester Stallone and Michael B. Jordan...
January 18, 2016, 01:28 PM
https://www.aotg.com/everest-vfx-breakdown-by-rvx/
RVX presents their VFX work to recreate the extreme conditions needed for EVEREST...
January 18, 2016, 10:12 AM
http://www.premiumbeat.com/blog/achieving-a-super-...
Super 16mm film offers a distinct and beautiful look that can be hard to replicate digitally. Here’s what you need to know in order to achieve the S16 look when shooting on a digital cinema camera.
January 18, 2016, 10:11 AM
http://blogs.adobe.com/creative/digital-artist-lew...
Introducing three of Europe’s very talented digital designers. They’re bold, they’re brave and they’re willing to go where no designers have gone before. Lewis Moorhead is our talented storyteller this week, bringing even the most fantastical story to life through compositing and Digital Art. We’ve been lucky enough to talk to him about his divine (or design) creations. Hey Lewis, thanks for your time! Firstly, your creations always seem to have a story associated with them, be it...
January 18, 2016, 10:11 AM
http://www.digitalartsonline.co.uk/news/motion-gra...
Escape Studios’ VFX Festival is back for its fourth annual celebration of the best of special effects. Keep the 23-25 February free for the chance to meet industry stars.
January 18, 2016, 06:19 AM
http://www.digitalartsonline.co.uk/news/motion-gra...
Here we've collected VFX and animation breakdowns for the 2016 animation and VFX Oscars, kicking off with a sneak behind-the-scenes look at the likely VFX Oscar winner Star Wars: The Force Awakens (above).
January 18, 2016, 06:19 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Brandon Davis stops by the CG Garage to talk about his very diverse careers. Having worked in CG for nearly two decades, he also happened to be part of Special Forces in the United States Army at the same times that he was making visual effects. Having worked at major facilities like Digital Domain and Weta, he has worked on Armageddon, The Day After Tomorrow, The Avengers, Iron Man 3, Godzilla, Dawn of the Planet of the Apes, and much much more.
January 17, 2016, 06:51 AM
http://behindvfx.com/post/137450951125/behind-vfx-...
Behind VFX ACCESS is a video curation service to give movie fan a direct access to curated playlists of reliable official behind the scenes videos.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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