It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 14, 2013, 04:53 AM
http://wolfcrow.com/blog/adobe-creative-cloud-firs...
What is the Adobe Creative Cloud, and what can you expect once you sign up for it. This article also highlights my experiences with it, and my initial impressions.
May 14, 2013, 04:53 AM
http://nycppnews.com/2013/05/technicolor-postworks...
Postproduction on Disconnect was completed at Technicolor – PostWorks in New York by DI Colorist Tim Stipan. The new drama from LD Entertainment and director Henry Alex Rubin relates to the internet and the way it is affecting human relationships.
May 14, 2013, 04:51 AM
http://www.premiumbeat.com/blog/masks-in-after-eff...
In this quick video tutorial you'll learn the basics of working with masks in After Effects. Highlights include adding a mask to your project, using mask shortcuts and creating a quick vignette with a mask in AE.
May 14, 2013, 04:51 AM
http://journaldunemonteuse.wordpress.com/2013/05/1...
Ce matin j’ai rendez-vous. J’ai rendez-vous avec un corpus de rushes pour notre première rencontre. Ils sont nombreux. Des quantités de petits fragments. Des morceaux d’un réel passé, vécu, parlé, filmé. Je sais que nous allons travailler ensemble pendant 5...
May 14, 2013, 04:49 AM
http://www.premiumbeat.com/blog/how-to-create-an-o...
Create a dynamic outer space shot in After Effects without any third party plugins or filters! Great for sci fi or documentary projects!
May 14, 2013, 04:48 AM
http://feedproxy.google.com/~r/industryhappenings/...
Are you a young Nuke artist ready to take the next step? Are you a seasoned professional wanting to step up your skills? Are you hungry for knowledge and aspire to be the best? If so then this applies to you. Classes will be held in London at Munky. They will be small, informal, and [...]
May 14, 2013, 04:48 AM
http://blog.vincentlaforet.com/2013/05/13/quick-no...
A quick note to say that the Technicolor Color Assist software which is a wonderful way to quickly set a look (or color grade/correction) on the set right there on the spot (on a shoot large or small) before those drives get shipped off into never never land… is now supported by Final Cut Pro X. The basic idea is to do a basic color grade or look on a calibrated monitors or laptop screen on set as you shoot, and to be able to easily translate that to another user (Editor/Colorist) using Color ...
May 14, 2013, 04:48 AM
http://filmmakeriq.com/2013/05/the-joy-of-color-co...
Genevieve Landry explores some of the basic color correction tools inside After Effects without using any plugins.
May 14, 2013, 04:48 AM
http://www.hollywoodreporter.com/behind-screen/con...
The maker of the $4,000 Blackmagic 4K camera tells THR why technology is “too expensive,” what he loves about filmmaking and why he “hates” his products.
May 13, 2013, 05:11 PM
http://library.creativecow.net/garber_michael/FCPX...
Michael Garber has spent hundreds of hours learning the ins and outs of editing broadcast news features with Final Cut Pro X. He describes a workflow that takes advantage of the best that FCPX's new approaches have to offer, while being honest about its limitations. Every editor already working with FCPX, or still just considering it, will benefit from Michael's experience.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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