To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
5 Remote Tips for Colorists
June 23, 2020, 01:31 PM
https://www.productionhub.com/blog/post/5-remote-t...
Color is one part of the creative process that has distinct advantages to being completed in person. Typically, you’re working with the original footage, which can be quite large and hard to transfer over the internet. If you’re the client, it’s best to see exactly what the colorist is seeing. If you’re the colorist, you definitely want your client approving the color on your color calibrated monitor.
WWDC 2020 - Is It the Start of the Move to Arm-bas
June 23, 2020, 01:31 PM
https://www.fcp.co/final-cut-pro/news/2284-wwdc-20...
Where were you this time last year? We were waiting to go into WWDC to see the new Mac Pro and Pro Display XDR for the first time. This year? Nobody is attending, but we do have the Keynote livestream. Will we see the beginning of the transition from Intel to Arm-based processors?
FCP.co Live Show 13 - WWDC & Final Cut Pro X on Ar
June 23, 2020, 01:31 PM
https://www.fcp.co/final-cut-pro/news/2285-fcp-co-...
Join us on Tuesday 23rd of June to talk about WWDC and what that means for the Pro Apps (including Final Cut Pro X) running on the new Arm-based processors. We have seen there's a new FCPX, Motion and Compressor coming - what else do we know? 1000 Los Angeles time, 1300 New York, 1800 London, 1900 Paris and (Sorry Australia) 0300+1 Day Sydney.
Apple reveals timetable & transition to its own pr
June 23, 2020, 01:30 PM
https://www.provideocoalition.com/apple-reveals-ti...
I just watched WWDC’s “live” 2020 keynote presentation from Apple. We knew in advance that this time, it would not have any in-person attendees, but we didn’t know it was going to be 100% pre-recorded. Ahead I’ll cover Apple’s announced timetable & transition to its own processors in Mac computers (away from Intel), the upcoming [...]Read More...
Apple WWDC 2020 – The year everything changed…
June 23, 2020, 01:30 PM
https://www.provideocoalition.com/apple-wwdc-2020-...
Apple kicked off its annual Worldwide Developers Conference today as a virtual, rather than live event. Absent was the usual cheerleading and response of a live audience of developers. This was more than offset by a slick, pre-produced keynote presentation covering a multitude of coming software changes. As an aside, it’s a corporate video that’s [...]Read More...
“Dead to Me” Editor Liza Cardinale, ACE, Signs
June 23, 2020, 01:30 PM
http://manhattaneditworkshop.blogspot.com/2020/06/...
MEWShop’s July Six Week Intensive Art of Editing workshop will be taught LIVE onlineManhattan Edit Workshop (MEWShop), the cutting-edge, digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the July 6th class will be editor Liza Cardinale, ACE.**Liza got her start studying film theory at UC Berkeley, where she edited on their tape-to-tape system without any formal training. Later on, she visited a frien...
Apple ditches Intel CPUs in Macs in favour of its
June 23, 2020, 01:30 PM
http://www.cgchannel.com/2020/06/apple-ditches-int...
Apple is to ditch Intel CPUs in Macs in favour of its own ARM-based processors, the company announced during yesterday’s keynote for its WWDC20 developer conference.
Framestore's tips for animating character tics
June 23, 2020, 01:29 PM
https://beforesandafters.com/2020/06/23/we-used-th...
When Framestore was working on Charlie Bean’s Lady and the Tramp, a re-imagining of the classic Disney 2D-animated film, the VFX studio was called upon to animate several photoreal CG dogs.
‘Mandalorian’ Animation VFX Topic of Online Ta
June 23, 2020, 01:29 PM
https://variety.com/2020/biz/news/mandalorian-ilm-...
Industrial Light & Magic’s Hal Hickel will take part in a free online discussion about the making of Disney Plus hit series “The Mandalorian” for the VIEW Conference on Saturday, June 27, at 2:30 p.m. Pacific Time.
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Editing The Black Lady Sketch Show
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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