It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 19, 2020, 12:49 PM
https://postperspective.com/foundry-katana-3-6-inc...
Foundry has released Katana 3.6, the latest version features fundamental UI and workflow updates with artist-focused snapping functionality that accelerates tasks such as light placement. The new Katana 3.6 includes advancements within 3Delight NSI 2.0, which features a toon shading tool set, overhauled live rendering and powerful new texturing tools. The new Network Material Edit node provides a new UX on top of Katana’s procedural shading workflows. Continue reading → June 17, 2020 ...
June 19, 2020, 12:49 PM
https://www.fcp.co/final-cut-pro/news/2283-camera-...
When Frame.io embarked on producing their 'Working From Home' series, they didn't realise that they would be testing out a new workflow.
June 19, 2020, 12:48 PM
https://www.provideocoalition.com/review-apple-mag...
If you have been reading my articles for the past twelve years in English (or decades if you also read Castilian), you know that I am into quality, open usability (worldcams), clear nomenclature (non-integer framerates supported and properly expressed), good UI, proper 48 kHz audio sampling, ergonomics and health. You already know that I love [...]Read More...
June 18, 2020, 04:55 PM
https://www.artofvfx.com/the-mandalorian-environme...
Hybride has released a new breakdown video about their work on THE MANDALORIAN focusing on the environments creation...
June 18, 2020, 04:55 PM
https://www.artofvfx.com/cinesite-showreel-2020/
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June 18, 2020, 04:47 PM
http://www.postmagazine.com/Post-Blog/2020/June/Bl...
Today we're excited to announce a major update across Creative Cloud. For video, the new release includes Adobe Stock audio integration in Premiere Pro. We are previewing several new features coming soon, including Roto Brush 2 in After Effects, Scene Edit Detection in Premiere Pro, and an Effects panel in Premiere Rush with new Auto Reframe and Pan and Zoom. Today's release also offers performance improvements with faster load times for Premiere Pro, improved support for linking offline f...
June 18, 2020, 04:43 PM
https://www.aotg.com/maxon-red-giant-and-redshift-announce-summer-sale/
On Tuesday, June 23rd, Maxon, Red Giant and Redshift will be having a 72-hour red-hot Summer Sale, with unprecedented savings on new annual subscriptions and Redshift licenses.
#red giant#redshift#summer sale#maxonJune 18, 2020, 01:30 PM
https://beforesandafters.com/2020/06/18/a-long-cha...
In this video, VES board member Gavin Graham chats to Visual Effects Supervisor Jabbar Raisani and Visual Effects Producer Terron Pratt about Netflix’s Lost in Space, season 2.
June 18, 2020, 01:30 PM
https://library.creativecow.net/cow_creative/Red_G...
Red Giant, creator of filmmaking, visual effects and motion graphics tools, today released the second installment of its multi-part Game of Thrones visual effects tutorial series: how to turn a live horse into a member of the Night King’s undead army. Daniel “Hashi” Hashimoto demonstrates keying and compositing techniques using tools including King Pin Tracker, Spot Clone Tracker and Supercomp from the new Red Giant VFX Suite, to add and track gory effects to a very much alive horse. Watch...
June 18, 2020, 01:30 PM
https://variety.com/2020/artisans/global/vfx-mpc-e...
MPC Episodic, which offers its VFX expertise to series creators, has expanded its senior team with the hire of seven key creatives. The outfit has also opened a Berlin office.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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