It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 8, 2013, 05:05 PM
http://www.youtube.com/watch?v=7HEhJC6TrNk
Whilst finishing a feature film, I came across a situation where I needed to artificially expose my images, to protect details of the motion picture without underexposing or overexposing the parts I needed to keep. This is how simple it can be done in AE.
March 8, 2013, 03:02 PM
http://www.awn.com/news/technology/pretend-launche...
Pretend LLC planned to change that 3D fact-of-life when they launched of Stereoid, a cutting-edge application with stereo correction and depth enhancement features previously available only on expensive high-end systems. Besides being simple, fast and powerful, Stereoid is a new standalone stereoscopic toolset that fits anywhere in the stereo pipeline from on-set to post.
March 8, 2013, 03:01 PM
http://journaldunemonteuse.wordpress.com/2013/02/0...
Je sors de deux jours en salle de montage très intenses. L’objectif : monter un teaser pour un film documentaire en vue d’obtenir l’Aide au Développement Renforcé du CNC. La réalisatrice Victoria Darves Bornos a déjà fait un pré-montage. Je...
March 8, 2013, 03:00 PM
http://news.doddleme.com/blogs/post-production/upg...
If you’re like me, you buy the best Mac or PC for your work, but within your budget. I needed to move up to an iMac from my Mac mini for Final Cut Pro X editing, but didn’t want to spend too much money on a new, late-2012 model iMac. So I bought a 21.5-inch Apple-refurbished mid-2011 iMac, base model with 8GB of RAM. And I upgraded it to 16GB of RAM from Other World Computing (OWC), plus an OWC Mercury Elite Pro hard drive and a NewerTech Guardian MAXimus mini RAID drive for good measure.
March 8, 2013, 02:54 PM
http://www.moviemaker.com/diy/movies-better-fcp-x-...
It's literally shocking that a product from Apple happens to be the best kept secret in post. Pretty much everyone I come across is dumbfounded when I tell them that Final Cut Pro X (FCP X) is my non-linear editing platform of choice. And to be honest, I half feel like I shouldn't be writing this article. Why? Well, part of me selfishly wants to keep this workflow to myself so I can keep my competitive advantage.
March 8, 2013, 02:53 PM
http://normanhollyn.com/2013/03/08/television-addi...
I am always super suspicious when professional pundits draw sweeping conclusions based on their own personal experiences. I’ve heard tons of podcasts in which the panelists assume that their children’s Internet habits are those of every teenager, or that the way they navigate their web pages is the way that everyone does. I doubt it. [...]Post from: HOLLYN-wood by Norman HollynTelevision, Addiction and Netflix
March 8, 2013, 01:04 PM
http://jonnyelwyn.co.uk/workflow-for-post-producti...
Couldn't make it to Broadcast Video Expo 2013 in London, then check out these free seminars from Larry Jordan on FCPX, 4K and BMDCC plus a bunch more fascinating talks from talented people.
#fcpx#larry jordan#bve2013#free seminars#4k workflows#working in bmdccMarch 8, 2013, 11:11 AM
http://kyleesportfolio.com/blog/?p=1213
This will seem a bit not-video-related, but I’ll bring it around. Maybe. Last night I went to Indianapolis Symphony Orchestra’s Happy Hour event. It was my first time attending and the thing that brought me: “a mash-up of Brahms’ First...
March 8, 2013, 11:11 AM
http://www.videoguys.com/Blog/E/NVIDIA+Ships+Four+...
NVIDIA today announced four new Quadro graphics cards based on its Kepler architecture, reducing the cost of entry for pro users. Joining the top-of-the-line K5000 ($2249) in the Kepler desktop line-up are the Quadro K4000 ($1269), a high-end single-slot card with 3 GB of onboard memory targeted at the media and entertainment market; the Quadro K2000 and K2000D (both $599),
March 8, 2013, 11:11 AM
http://feedproxy.google.com/~r/industryhappenings/...
An Introduction to Adobe Premiere Pro – $1,295 Craft your story efficiently with Adobe Premiere Pro software, the high-performance video production solution that enables you to work dramatically faster thanks to the native 64-bit, GPU-accelerated Adobe Mercury Playback Engine. Edit natively with the video formats you want. Save time by batch encoding source content to a [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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