It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 6, 2013, 12:23 PM
http://www.storagereview.com/lsi_and_netapp_announ...
LSI announced that its Nytro WarpDrive cards have been validated for use with NetApp Flash Accel software, making them amongst the first PCIe flash devices to have been qualified for Flash Accel use. Together with NetApp Flash Accel software, LSI's Nytro WarpDrive family of cards speed application performance by converting server-based flash into data cache critical for enterprise applications. That "hot" data is the most frequently accessed data which is then transported to the PCIe...
March 6, 2013, 09:09 AM
https://www.aotg.com/editing-how-to-survive-a-plague/
This episode we have our OSCAR special, with Woody Richman and Tyler walk, the editors of the Academy Award Nominated film How To Survive a Plague.
March 6, 2013, 05:43 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
We're happy to announce that next week, Art of the Title returns to Austin, TX for the 2013 SXSW Film Design Awards. Editor-in-Chief Ian Albinson will again be a juror, and joining him this year will be Paul Babb, President/CEO of MAXON Computer, Inc., and Designer Kurt Volk (also a returing juror) from the Austin-based Troublemaker Studios.
March 6, 2013, 05:43 AM
http://blogs.adobe.com/aftereffects/2013/03/ae-she...
I first got involved in the visual effects industry in the 1990s. I'd gone to film school and art school and thought I might try to be a director someday. I went to work as a PA at a VFX boutique house, Foundation Imaging, which was starting to do visual effects on desktop machines. It was the early 90s when most visual effects were still done by machines that cost far and away more than Adobe After Effects.
March 6, 2013, 05:42 AM
http://www.fallenempiredigital.com/blog/2013/03/06...
Premiere Pro’s audio effects fall squarely into two categories: completely utilitarian or disappointingly lackluster. The utilitarian effects like fill left or right, swap channels, channel volume, and others don’t need replacing because they do their simple jobs transparently. Effects like band pass, dynamics, parametric eq, and the noise reduction effects all perform poorly.
March 6, 2013, 05:40 AM
http://events.creativecow.net/event/2889/an-introd...
Smoke 2013 is the revolutionary all-in-one non-linear video editing and effects tool for the Mac, connecting editing and visual effects like never before. By integrating familiar editing tools and node-based compositing directly into the timeline, Smoke is revolutionizing video post-production. Bring in content and projects from Final Cut, Avid, Premiere, AfterEffects, and others...
#smokeMarch 5, 2013, 08:05 PM
http://www.crumplepop.com/blog/?p=603
Dale Grahn's resume as a color timer is impressive. He's worked extensively with Steven Spielberg and Francis Ford Coppola. He must have one of the longest list of films under one name in the IMDB database! Dale talks about the craft of color timing feature films. We get the inside scoop on...
March 5, 2013, 08:05 PM
http://www.karenschmeer.com/ksfef-home/2013/3/5/ks...
The Karen Schmeer Film Editing Fellowship is hosting a meet up at SXSW for editors, filmmakers and film industry folks on Monday, March 11 at Cheer Up Charlie's (1104 E. 6th St., Austin) from 2-4 PM. There will be drink specials and lots of awesome editors (are there any other kinds?), including our new Fellow. RSVP to info@karenschmeer is helpful but not required.
March 5, 2013, 08:05 PM
http://feedproxy.google.com/~r/SigniantBlog/~3/Aji...
Companies have long since had a need to share files.
March 5, 2013, 08:05 PM
http://www.scruffy.tv/thatpostshow/2013/3/5/worley...
Kanen and Seth sit down to talk Hollywood craziness, the Alexa, and his love for the film Twister. The guys then move in to the tech side of things to discuss Seth's software setup. Motion blur is Seth's best friend.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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