It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 2, 2013, 11:10 AM
http://journaldunemonteuse.wordpress.com/
This is a French film editor's diary. "Démonter et remonter jusqu'à l'intensité" Robert Bresson. Emmanuelle Jay travaille comme chef monteuse auprès de réalisateurs de documentaires et de fiction pour la télévision à Paris en France (52min, 90min). Elle enseigne le montage à l’ESEC tant dans son aspect technique, qu’au cours d’ateliers de pratique et d’esthétique.
March 2, 2013, 08:34 AM
http://www.aotg.com/index.php?page=feb25-mar
A great week for posts! Here are the top posts for the week of February 25, 2013. This week includes scientific discoveries, videos on Editing comedy, workflows and more!
March 2, 2013, 08:28 AM
http://digitalfilms.wordpress.com/2013/03/01/boris...
Boris Continuum Complete 8 from Boris FX has finally made it to Apple Final Cut Pro X and Motion 5. Customers purchasing BCC 8 will receive installers for both new and old versions of Final Cut and Motion. FCP X users will install the new 64-bit version designed for the updated FxPlug architecture - bringing [...]
March 2, 2013, 08:28 AM
http://editorunderconstruction.blogspot.com/2013/0...
(In Spanish) Last Tuesday, February 12th, was the launching date of Grazia's first issue in Spain. The event took place in Circo Price (Madrid). An openning ceremony was organised and that's where we came in (20 screens in upright position). Technically, it was a complicated project, a challenge for yours truly. I've heard that the outcome was satisfactory...
#event#multi screen#projectionMarch 2, 2013, 08:28 AM
http://www.macprovideo.com/hub/final-cut/fcp-x-bas...
If you’re new to video editing, you might not be quite sure how it all works. One key idea in many kinds of programs is that of the cutaway. It’s a staple of interviews and current affairs shows; the glue that lets you turn a 20-minute interview into a 30-second distilled work of wonder. Let’s see how it works in the context of an interview.
March 2, 2013, 08:23 AM
http://www.postmagazine.com/Publications/Post-Maga...
Post has long covered affordable technologies that can improve workflows, lower production costs and expand the user base. This month, we have a feature on Visual Effects Plug-Ins (page 26), which do much of the aforementioned. Companies like Digieffects and Red Giant see the industry expanding thanks to new digital cameras and apps like FCP, and are releasing plug-ins geared toward those very users.
March 2, 2013, 08:23 AM
http://www.postmagazine.com/Publications/Post-Maga...
Developing successful, efficient post workflows is essential for reality television programming. Unscripted shows often produce huge amounts of footage, and despite having a good notion of the storyline in production, shows frequently take shape in the edit room.
March 1, 2013, 05:17 PM
http://lappg.com/february-13th-2013/
February's meeting was a full house with two great presentations. The meeting began with a conversation between LAPPG founder Woody Woodhall and Digital Engagement Strategist and Community Manager Garick Chan. Garick shared with us information about how to maximize your use of social media platforms to engage your audience. Many of our attendees have Twitter accounts [...]
March 1, 2013, 05:17 PM
http://www.premiumbeat.com/blog/view-master-video-...
We kick it back to the old school, with this roundup of Viewmaster inspired videos and motion designs. See Viewmaster styled projects and discover how to create your own in Final Cut Pro X or After Effects.
March 1, 2013, 05:17 PM
http://avidassteditor.com/2013/03/01/aaaaaand-its-...
I never thought this day would get here but it finally has and I can't believe it! The e-book is d-o-n-e and I couldn't be happier! (Actually, I could be happier but more on that later.) I know a lot of people have bought the book who would have preferred an e-book and because of [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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