It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 19, 2013, 07:54 AM
http://www.definitionmagazine.com/journal/2013/2/1...
The production shot with six Alexa cameras paired on three Cameron Pace Fusion rigs with ARRI / Zeiss Master Primes. The uncompressed HD data was recorded to Codex recorders. The result is a remarkable cinematic accomplishment that enhances the viewing experience and immerses audiences in a sea of breathtaking imagery. Here DP Claudio Miranda talks about materialising images and emotions on a grand scale for Life Of Pi.
February 19, 2013, 07:53 AM
http://www.larryjordan.biz/fcpx-animate-stills/
This is a very cool technique to bring depth and animation to a photograph by using Photoshop layers and Final Cut Pro X. All it takes is a still image with a clearly defined subject, a little bit of time, and some imagination.
February 19, 2013, 07:52 AM
http://nycppnews.com/2013/02/northern-lights-adds-...
New York-based editorial house Northern Lights adds editor Josh Towvim to their roster. Towvim’s dexterous approach to editing accentuated by his talents for sound design, comedy and visual effects can be seen in his work on diverse campaigns for top brands including Sony, Ford, ESPN, Nike, Mercedes-Benz, Volkswagen, Coca-Cola and Citibank. He comes to Northern Lights from Red Car.
February 19, 2013, 07:47 AM
http://www.digitalproductionbuzz.com/2013/02/insig...
Guest writer Joe Mason has worked in corporate video several years and he has developed some efficient methods for jazzing up boring data filled video presentations by giving 2D graphs new life in 3D space. Joe walks through the concept, demonstrating how he quickly cranks out fancy 3D charts.
February 19, 2013, 07:47 AM
http://www.digitalproductionbuzz.com/2013/02/insig...
Have you ever wondered why your third party transition plug-ins for Premiere Pro don't show up under Video Transitions, like the native Transitions effects do? I am talking about Transitions from developers such as Boris FX, CoreMelt and GenArts. Their transition effects show up under Video Effects.
February 18, 2013, 08:01 PM
http://www.digitalproductionbuzz.com/2013/02/insig...
I always say that pursuing work in the entertainment industry is just like dating, and the movie Valentine's Day is a perfect example. Click here to read more.
February 18, 2013, 05:22 PM
http://www.premiumbeat.com/blog/speech-analysis-pr...
Learn how to use the powerful speech analysis and recognition function in Adobe Premiere Pro. Speed up your edits and organize your footage automatically!
February 18, 2013, 05:20 PM
http://www.hitfix.com/in-contention/oscar-guide-20...
Best Film Editing is the technical category most closely linked to Best Picture: the slate is routinely dominated by Best Picture contenders, and it's an oft-repeated stat that no film has won the top prize without an editing nod since "Ordinary People" 32 years ago. That's no random Oscar voodoo. Editing is a narrative-determining craft -- it's often said the editor functions as another screenwriter -- so it stands to reason that the Academy's favorite films figure most into this category.
February 18, 2013, 05:19 PM
http://news.doddleme.com/television-news/cinema-ed...
By Steve Pond (TheWrap) – “Argo” racked up yet another guild victory on Saturday night, taking home the American Cinema Editors’ ACE Eddie Award for Best Edited Feature (Dramatic).
February 18, 2013, 05:18 PM
http://community.avid.com/blogs/mediacomposer/arch...
The following is the second in a series of five blog posts from Rob D’Amico, Senior Product Manager for professional film and video editing solutions, which will cover key changes in Media Composer 6.5.2. You can follow Rob on Twitter at @_RobDAmico_.
#avid#mc6#nle
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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