It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 12, 2013, 07:51 AM
http://edaeditores.com.ar/entrevista-a-andrea-chig...
(In Spanish) In the last decade, Chilean cinema was living a revitalization process that now places Chilean cinema on the cutting edge of Latin American cinema. Behind this process there are many professionals marked by a rough political life. Among them, there is Andrea Chignoli, who edited NO (last feature film directed by Gael Garcia Bernal).
February 12, 2013, 07:50 AM
http://www.examiner.com/article/midnight-express-e...
According to a Feb. 11 report from TheWrap.com, British film editor Gerry Hambling, whose credits “Midnight Express;” “Pink Floyd: The Wall;” and “Mississippi B
February 12, 2013, 07:46 AM
http://feedproxy.google.com/~r/industryhappenings/...
Industry Film School has added a Two-Weekend Avid Media Composer Certification Course. Class dates are March 9th, 10th, 16th + 17th. Class times are from 10am - 6pm. This course includes the Avid Media Composer MC101/110 Editing Essentials + Effects Essentials Curriculum and Certification Exam. Tuition for this course is $1395 and and includes the...
February 12, 2013, 07:46 AM
http://feedproxy.google.com/~r/industryhappenings/...
COST: $69 for BDA members, $89 for non-members DATE/TIME: Tuesday, March 5, 2013, 6:00 pm – 9:00 pm Navigate the exciting possibilities of digital video production with Adobe After Effects. Using professional techniques, we will explore the fundamentals of compositing footage such as still images, video and sound. The fundamentals of key frame animation...
February 12, 2013, 07:46 AM
http://provideocoalition.com/mchristiansen/story/s...
Chances are that you have no first-hand experience with Shotgun, Tank or Revolver (although if you live in Texas you will no doubt initially claim to be familiar). With 400 customers worldwise, Shotgun may count as a runaway success in the VFX business while hundreds, thousands (even billions)...
February 12, 2013, 07:45 AM
http://www.engadget.com/2013/02/12/adobe-drops-pri...
Adobe has suddenly knocked 20 percent off its prices in Australia just one day after it was summoned to publicly defend those prices in front of a parliamentary committee. The monthly fee for a subscription to Adobe's full Creative Cloud has dropped from AU$63 to AU$50, so it's now only $1 more than the US price when you factor in currency.
February 12, 2013, 07:43 AM
http://www.macworld.com/article/2025968/how-to-key...
You’ve seen it in countless Hollywood movies. And it’s easier than ever to do yourself. I’m talking about compositing: the process of combining a foreground subject and a background “plate” to create a single “composite” image. By shooting a subject against a colored background and then using software to remove the color, you can place your subject in any environment you like. This process is called “keying” or “pulling a key.”
February 12, 2013, 07:42 AM
http://app.info.avid.com/e/es.aspx?s=774&e=2000858...
You may have seen an announcement earlier today about an executive leadership change at Avid. As Avid’s new President and CEO, I am writing to briefly introduce myself, and to provide some early thoughts on why I am so excited to be leading Avid at such an important time in the company’s history.
February 12, 2013, 07:40 AM
http://www.prnewswire.com/news-releases/celebrated...
NEW YORK, Feb. 11, 2013 /PRNewswire/ -- MediaCom USA announced today that award-winning film creator and editor Giuseppe De Angelis is joining the agency as Director of Visual Experience, a new position.
February 12, 2013, 07:39 AM
http://www.variety.com/article/VR1118066046/
British film editor Gerry Hambling has died aged 86, it was confirmed Monday.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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