It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 21, 2013, 09:35 AM
http://www.negativespaces.com/blog/2013/1/17/cutti...
Someday we might look back at the time when we were forced to use masses of chaotic, unruly conduit with a certain nostalgia. But then likely be glad those days are long behind us.
#cord#cutting#negative spacesJanuary 21, 2013, 09:34 AM
http://news.creativecow.net/story/870430
(New York, New York--January 20, 2013) Footage.net, the stock, archival and news footage search engine announced today that over 800,000 preview clips from Shutterstock, a leading global marketplace for digital imagery, are now available for viewing through Footage.net’s stock footage search and screening platform.
#footage#clips#shutterstockJanuary 21, 2013, 09:33 AM
http://news.creativecow.net/story/870434
(Billerica, Massachusetts--January 20, 2013) Broadcast Pix™ has announced that The Cove Church in Mooresville, N.C., is using a Granite™ 5000 2 M/E Video Control Center™ to produce image magnification (I-MAG) for its congregation during services, as well as simultaneously stream its services live on the Web and share the live video feed with three campuses across the state. The church began using its new system in mid-October.
#hd#broadcast pix#granite 5000January 21, 2013, 09:32 AM
http://news.creativecow.net/story/870435
(Los Angeles, California--January 14, 2013) LOOK Effects is delighted to announce they have hired industry veteran and Emmy-award winner, Everett Burrell as Visual Effects Supervisor. Burrell will be based in LOOK’s Los Angeles headquarters office where he will supervise current and future feature film projects, beginning early next month.
#effects#look#everett burrellJanuary 21, 2013, 09:31 AM
http://www.surfacedstudio.com/tutorials/adobe-afte...
Most of my VFX tutorials are aimed at intermediate to advanced users of After Effects. While I also have an ongoing video series covering the basic concepts, I felt I was missing a tutorial for absolute beginners, for people who are just starting to use After Effects and are trying to create their first own VFX.
#adobe#cs6#after effects#ae#postJanuary 21, 2013, 09:30 AM
http://www.larryjordan.biz/app_bin/wordpress/archi...
This was first suggested to me in an email, but I forgot to write down the name of the person submitting this. One of the limitations of Final Cut Pro X is that it doesn’t support batch exporting. That is, you can’t select a bunch of projects and export them all at once.
#editing#film#larry jordanJanuary 21, 2013, 09:28 AM
http://www.redsharknews.com/post/item/376-processi...
Dale Grahn, who is what used to be called a Colour Timer in the days when there was no digital colour processing, has created the colour "look" of some seminal films of the last couple of decades: Saving Private Ryan, Gladiator and Munich. Having Stephen Spielberg on your resume is obviously a good thing.
#nle#colour#redsharkJanuary 21, 2013, 09:26 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
Advanced Marquee Techniques Part FOUR: In this lesson, Kevin P McAuliffe expands on his Title Roll lesson (Advanced Marquee Technique #3), and shows how you would go about integrating client logos into your title rolls and crawls. Again, this is a technique that is normally done outside of Media Composer or Symphony, but as this lesson shows, we can do it right here from within the timeline.
#avid#media composer#mc6#nleJanuary 21, 2013, 09:24 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
Advanced Marquee Techniques Part FIVE: In this lesson, Kevin P McAuliffe talks about applying textures to your text, he shows you why seamlessly tileable elements are the way to go, and even how to manipulate your textures, once they have been applied. Finally, he wraps things up by showing you how easy it is to apply textures to any element you have created inside of Marquee. If you've started creating 3D text inside of Marquee, this...
#avid#media composer#mc6#nleJanuary 21, 2013, 09:09 AM
http://jonnyelwyn.co.uk/workflow-for-post-producti...
If you want to give your grade a great 'film look' then these free Film Print Emulation LUTS for DaVinci Resolve will help push it in the right direction. A fantastic post from Juan Melara!
#color grading#davinci resolve#free film looks#lut download
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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