To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Things Broadcast Should Move Past In 2013

January 17, 2013, 04:44 PM

http://www.videoguys.com/Blog/E/Things+Broadcast+S...

In the spirit of cleaning the broadcast industry's technology slate and giving us all a fresh start, we have looked into our collective crystal ball and compiled a list of things that we feel that will not, or at least should not, be seen after 2013. Some of these are small. Others, perhaps, are the pet peeves of minds that spend a lot of time staring at schematics and contemplating efficient workflows.

Nice Work! You used every available video track yo

January 17, 2013, 04:44 PM

http://starwipemyass.tumblr.com/post/40768403579

Nice Work! You used every available video track you could find.

Importing Premiere Pro Projects Into After Effects

January 17, 2013, 04:43 PM

http://www.premiumbeat.com/blog/premiere-pro-to-af...

Create your video edit in Adobe Premiere Pro.  Then import your project into After Effects for finishing - add effects, color correction, and motion tracking. There are several ways to manage your Premiere Pro to After Effects workflow.  One way is to take advantage of Adobe's Dynamic Link, with the ability to jump btween the [...]

Video Editing Tips: Organizing Your Footage

January 17, 2013, 04:43 PM

http://feedproxy.google.com/~r/editcellar/~3/dHHTa...

I have seen tons of editing tutorials out there that are NLE specific. I watch them all the time. However, I rarely see any basic editing tutorials that are useful for any NLE. In order to fill the void, I present my video-editing tips series, good for the newbie, and potentially useful to the pro. [...]

Fred Raskin on Editing Django Unchained

January 17, 2013, 04:24 PM

https://www.aotg.com/fred-raskin-on-editing-django-unchained/

From being an up and coming film editor on films such as Annapolis, Fast and the Furious Tokyo Drift and Fast Five to Quentin Tarantino's man in the cutting room on...

#editor#film editor#django#raskin#fred#unchained
'Iron Man' Editor Develops a '21st Century Moviola

January 17, 2013, 04:14 PM

http://www.hollywoodreporter.com/news/iron-man-edi...

Jon Favreau’s go-to editor Dan Lebental -- whose credits with the director include Iron Man, Cowboys and Aliens and Elf -- started his career editing film, and he loved it, even when he cut his finger. “It was such a badge of honor to touch film,” he said. “I realized that is one of the things we lost. I miss interacting directly with the media.”

PHYX Cleaner 2.0 Review

January 17, 2013, 12:53 PM

http://feedproxy.google.com/~r/EditingWhiz/~3/wG3O...

While DSLR cameras can produce really nice images with shallow depth of field, they’re definitely not known for their sharpness. Also, issues with aliasing and noise at high ISOs can give less-than-stellar results. But, with PHYX’s Cleaner 2.0, those problems can cease to exist. Aliasing, banding, blocky chroma channels, comb-artifacts, noise, not-quite-sharp images… Sound like...

What to watch out for with FCPX

January 17, 2013, 12:53 PM

http://www.videoguys.com/Blog/E/What+to+watch+out+...

It's a Paradigm Shift. Use it as Such.A paradigm shift is a completely new way of looking at something. FCPX is a paradigm shift in non-linear editing. You have to go into it with that in mind. If you try to force FCPX to edit like you did in FCP7, 1) you may get frustrated, and 2) you'll miss out on some of the power of the new paradigm.

Staying Current with Post-Production

January 17, 2013, 12:53 PM

http://www.videoguys.com/Blog/E/Staying+Current+wi...

Since the 1990s when computers caught up to the speed and storage necessary to do editing, we have been on a whirlwind of ever-changing software and hardware developments.

SMPTE Standards 101

January 17, 2013, 12:53 PM

http://www.youtube.com/watch?v=TEJW1Se4e5c&feature...

SMPTE Standards 101Speaker: Peter Symes, Director, Standards and Engineering, SMPTE As you may know, SMPTE is the premier standards development body for the motion imaging industry. What you may not know, however, is how those standards are developed. Peter Symes, SMPTE's Director, Standards and Engineering will discuss the process behind development of SMPTE Standards. Mr. Symes will explain why standards are important and who is involved in the standards development process.

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