To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Art of the Title - Signs (2002)

January 8, 2013, 09:03 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

A sibilant breath is slowly drawn across catgut: in and out, up and down the strings of a violin. Matching the sighing notes of the unseen fiddler, a light diffuses out of the shadows before dissolving again - a malfunctioning flashlight in a darkened farmer's field? Whistled by winds and bleated by horns, a frantic three-note motif replaces the calm respiration. Something is out there in the blackness.

Giving a Lecture on film techniques 1960

January 8, 2013, 09:02 AM

http://terencegallacher.wordpress.com/2013/01/08/g...

On Wednesday 30th November, 1960, I gave a lecture to the Institute of Motion Picture Technicians in the preview theatre at Ripponlea.  The subject was "Films For Television" and I made a point of talking about multi-camera techniques (and the editing thereof). At the time I was Supervising Film Editor at ABV2 in Melbourne...

Colorflow Debuts Next Gen Post Facility

January 8, 2013, 09:00 AM

http://ryansalazar.net/index.php/2013/01/colorflow...

Colorflow (http://colorflow.com/), a full-service post-production company specializing in color grading for independent films, documentaries, long-form television and similar projects, has opened an all-new, state-of-the-art facility in the historic Saul Zaentz Media Center in Berkeley, California. The 7500-square foot facility features three color grading and finishing suites, and a DCI-compliant DI grading theater. Colorflow has recently...

#post#colorflow#next#post facility#berkeley
REVIEW: AJA T-TAP

January 8, 2013, 09:00 AM

http://lfhd.net/2013/01/08/review-aja-t-tap/

Let's start off 2013 with a review of a really cool product…the AJA T-TAP. Until recently when you wanted to send a signal to an external monitor from your edit system, you needed to get an “I/O Device.” I/O meaning “In and Out,” and device being either a card that you installed internally on a tower...

#aja#t-tap
2013 HPA Tech Retreat Opens Registration

January 8, 2013, 08:57 AM

http://news.creativecow.net/story/870386

(Los Angeles, California--January 7, 2013) The Hollywood Post Alliance® - the trade association for the post production community - has opened registration for the 2013 HPA Tech Retreat. The HPA Tech Retreat is the annual conference that brings together thought leaders from digital and content creation, media and entertainment, forensics, medicine, digital imaging, government, academic research and others for four days of intense conversation, learning and networking.

#hpa#hollywood post alliance#tech retreat
"Zero Dark Thirty" wins best editing EDA award

January 8, 2013, 08:56 AM

http://moviecitynews.com/2013/01/alliance-of-women...

The Alliance of Women Film Journalists (AWFJ), a membership organization of leading women film journalists and critics from across the U.S., Canada and the U.K., has announced the winners of its 7th Annual EDA Awards. Starting with Best Film, “Zero Dark Thirty” swept the AWFJ EDA “Best of” categories with five awards, took another two in the female-centric EDA Focus Awards, and earned its eighth win in the EDA Special Mention section.

#editing#award#film editing#awards#william goldenberg#zero dark thirty#dylan tichenor#best editing
Conquering Color Correction: Make it POP!

January 7, 2013, 10:30 PM

http://feedproxy.google.com/~r/editcellar/~3/Q10ea...

Let me preface this post by declaring I am quite green when it comes to color correction. I have a clear understanding of the process, how it works, and what’s involved, but was unable to achieve the balance I saw in other’s work. Well not anymore (sort of)! It’s kind of like Jiu Jitsu.

Online - Larry Jordan presents CREATE COOL EFFECTS

January 7, 2013, 10:30 PM

http://feedproxy.google.com/~r/industryhappenings/...

Apple's Motion scares a lot of people, but, once you learn what it can do, you can create some amazing effects with it; quickly and easily. And that's what this session is about. After Effects is the standard of the industry. Motion takes a different path. Where everything in After Effects is driven by keyframes...

New Video Pros, I need some feedback...

January 7, 2013, 10:28 PM

http://kyleesportfolio.com/blog/?p=824

Help me out here, I’m working on a thing and I need a little feedback. If you entered the video production workforce for the first time within the last 5 years, do me a favor and fill out this contact...

Online - Larry Jordan presents STILL IMAGES

January 7, 2013, 10:28 PM

http://feedproxy.google.com/~r/industryhappenings/...

With the possible exception of media management, nothing creates more questions than working with still images in Final Cut Pro X. In this session, we wade into the quagmire and show you how to import, manage, and edit still images in FCP X. The key thing to keep in mind is that FCP X is...

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.