It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 29, 2016, 11:27 AM
http://www.premiumbeat.com/blog/the-basics-of-buil...
Working with color takes more than just the right software. Here are three tips for building a color correction suite that will improve your output.
February 29, 2016, 06:50 AM
http://www.finalcutpro.es/2016/02/prueba-davinci-r...
La corrección de color en rodaje se ha popularizado mucho en los últimos tiempos. Los sistemas han ido haciéndose más portátiles y accesibles, hasta llegar a niveles inimaginables hace sólo unos años. En este artículo vamos a ver el funcionamiento del dispositivo de entrada y salida Blackmagic UltraStudio Express junto con el software DaVinci Resolve con su opción [...] La entrada PRUEBA: DaVinci Resolve Live con Blackmagic UltraStudio aparece primero en finalcutpro.es.
February 29, 2016, 06:48 AM
http://www.redsharknews.com/post/item/3275-how-che...
A new app from Utah’s Luma Touch promises some interestingly powerful vfx layering and colour correcting capabilities to iOS. The price? How does $4.99 strike you? Luma TouchColour CorrectioniOSBlackmagic Davinci ResolveLumaFX
February 25, 2016, 10:33 AM
https://www.aotg.com/sony-a7s-ii-color-grading-samples/
Color corrected and graded S-Log2 & S-Log3 footage captured with the Sony Alpha 7S II internally at 100Mbps (XAVC-S codec) in Ultra HD resolution (3840x2160). PLEASE NOTICE: The footage has been pushed to the limit on purpose to see how much grading the XAVC-S codec can handle. Due to the quality compression on YouTube more blocking / artifacts are visible than in the original footage!
February 24, 2016, 05:28 AM
http://cinescopophilia.com/levels-lut-testing/
Our dear friends from Poland Film Cyfrowy have taken Levels LUT’s out for a spin.
February 23, 2016, 11:51 AM
https://www.aotg.com/sigma-introduces-electronic-external-flash-ef-630/
Boasts TTL exposure control, high-speed sync, wireless flash functions, rear-curtain sync, auto-zoom, and wide-angle illumination coverage and more
#camera#flash#photography#electronics#consumer electronics#lens#sigma#ef-630#external flashFebruary 23, 2016, 10:28 AM
http://lesterbanks.com/2016/02/open-color-lut-colo...
MaxDepth shows how you can use the V-Ray Frame Buffer to apply OCIO and LUTs to renders. The Post Open Color & LUT Color Management With V-Ray for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
February 19, 2016, 06:31 AM
http://www.artofvfx.com/digital-idea-showreel-2016...
Excellent showreel by Digital Idea featuring their VFX work on THE MONKEY KING 2, DRAGON BLADE and many more...
February 16, 2016, 01:29 PM
http://news.doddleme.com/equipment/color-grading-j...
We all know that you can play around with color grading for free with the Lite version of DaVinci Resolve. But even though the controls are very intuitive, what if you wanted a lot more control? That would require creation of a dedicated workstation for color grading. Would that break the bank? Well, the Tangent Ripple won’t, it’s a dedicated entry level color control panel that can not only grade your film, but do it for under $350.
February 15, 2016, 02:13 PM
https://www.aotg.com/mixing-multiple-rrts-in-an-aces-workflow/
ACES gives us colorists amazing possibilities with seamless and lossless workflows and look creation.As mentioned in the video you can find great infos about the ACES technology and theory. But so far I couldn't find anything from a colorists perspective. Here we go...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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