To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cinema 4D MoGraph Tracer Effector Animation Tutori

October 21, 2014, 01:10 PM

https://www.aotg.com/cinema-4d-mograph-tracer-effector-animation-tutori/

How to create a unique MoGraph animation in Cinema 4D using the Tracer Effector, as well as other C4D Effectors such as Time and Random. I'll start in Cinema...

Becoming Creative: The Idea Walk

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http://www.animatorisland.com/becoming-creative-th...

Last time we touched on the idea of “Pitiful Idea Prison” and how you might be stuck within it and not even realize. Today we begin to make our great escape and dig the tunnel to creative freedom that has zero walls, boundaries, or chains to hold us back! It starts with a little stroll…

24 Hour Party People (2002)

October 21, 2014, 04:46 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I'll just say one word: Icarus. If you get it, great. If you don't, that's fine too. But you should probably read more.” — Tony Wilson ...

Moana

October 21, 2014, 04:44 AM

http://animationguildblog.blogspot.ca/2014/10/moan...

Late to the party with this, but anyway...

Thank You Korea, but No Thanks

October 21, 2014, 04:44 AM

http://variety.com/2014/film/news/john-lasseter-sa...

SEOUL – Pixar boss John Lasseter said that he owes a debt of gratitude to South Korea, but that there are no plans to transfer animation production away from the U.S.

Pixar Has No Plans to Localize in Asia Just Yet

October 21, 2014, 04:43 AM

http://www.hollywoodreporter.com/news/john-lassete...

While DreamWorks is set to launch its Chinese venture in Shanghai and to collaborate with South Korean animation studios, John Lasseter says Disney-Pixar h...

Animator Jim Tyer

October 21, 2014, 04:43 AM

http://animationguildblog.blogspot.ca/2014/10/anim...

President Emeritus Tom Sito admires Mr. Tyers' animation style...

Understanding the Voxel in TurbulenceFD for C4D

October 20, 2014, 04:49 PM

http://lesterbanks.com/2014/10/understanding-voxel...

The first in an in-depth series looking at TurbulenceFD in Cinema 4d to create fire, smoke and fluid effects

Norman, Wooley Set for World Animation Celebration

October 20, 2014, 04:48 PM

http://www.animationmagazine.net/events/norman-woo...

Prolific voice actor Michael-Leon Wooley has been set as host of the World Animation Celebration, with legendary Disney animator Floyd Norman scheduled as the guest speaker.

Pixar Confirms Peter Sohn as The Good Dinosaur Dir

October 20, 2014, 04:48 PM

http://collider.com/the-good-dinosaur-director-pet...

The folks at Pixar are no stranger to significantly overhauling their films during production—Ratatouille and Toy Story 2 were both essentially started over from scratch when Brad Bird and John Lassetter replaced the previous directors, respectively—but The Good Dinosaur has been a curious case.

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