To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mike Sowa joins Fotokem as senior DI colorist

October 31, 2018, 11:59 AM

https://postperspective.com/mike-sowa-joins-fotoke...

FotoKem in Burbank has added post vet Mike Sowa as senior digital intermediate colorist. Sowa brings over 25 years of experience to his new role, and an impressive resume that includes stints at Modern Video Film, Universal High Def Center and jobs at other facilities in Hollywood, including LaserPacific and Technicolor. His past work includes Kubo and the Two Strings, Continue reading → October 31, 2018 The post Mike Sowa joins Fotokem as senior DI colorist appeared first on Randi Alt...

Premiere Pro: New – New – Selective Color Curv

October 30, 2018, 08:56 AM

https://www.aotg.com/premiere-pro-new-new-selective-color-curv/

This session looks at key new features in Adobe Premiere Pro, Audition and Media Encoder in Adobe’s updates for Spring, 2019. Join host, Larry Jordan, as he illustrates key new features in each of these three applications.

Colorist Nicholas Hasson joins Light Iron

October 30, 2018, 06:06 AM

http://www.postmagazine.com/Press-Center/Daily-New...

HOLLYWOOD — Panavision’s creative services company Light Iron (lightiron.com) has added senior colorist Nicholas Hasson to its roster. He will be based in the company’s Los Angeles facility and brings with him both television and film credits, including work on the upcoming Tiffany Haddish feature Nobody’s Fool and Season 2 of HBO’s Room 104.

Cinema Grade for Premiere Pro

October 25, 2018, 08:52 AM

https://www.premierebro.com/blog/cinema-grade-mode...

Cinema Grade Brings DirectGrade, Step-By-Step Guided Grading, And Hollywood Film Looks To Premiere Pro. Cinema Grade is an all-new color grading application by Color Grading Central. In this post, you will learn how Cinema Grade can accelerate your color grading workflow and help you achieve cinematic results in Premiere Pro.

#adobe#color grading#premiere pro#premiere#cinema grade
Carlos Vives' Music Video Used DaVinci Resolve 15

October 25, 2018, 08:05 AM

https://www.aotg.com/carlos-vives-music-video-used-davinci-resolve-15/

Blackmagic Design today announced that DaVinci Resolve 15 Studio, along with the DaVinci Resolve Mini Panel and DaVinci Resolve Advanced Panel, were used for color grading and editing on the new music video for “Mañana,” the latest single by Latin American Grammy winning singer/songwriter Carlos Vives.

#blackmagic design#davinci resolve#davinci resolve advanced panel
Color Grading Tips: The Ins and Outs of Correcting

October 23, 2018, 04:35 AM

https://www.premiumbeat.com/blog/color-correcting-...

A pink sky has become a predominant feature in many music videos. Is it a symbol of teenage freedom, late evening adventures, innocence of youth? I’m sure there are experts out there who could spend hours decoding the meaning and popularity behind the rise of pink skies in rap and alternative music videos. But perhaps it just comes down to Instagram influencers. Who knows?

FilmConvert – Color Grading and Film Look Tools

October 22, 2018, 04:36 AM

https://doddlenews.com/doddlereviews-filmconvert-c...

If you’re looking for an affordable and easy way to get a terrific film look, from film stock to color and grain, FilmConvert is an ideal plug-in every editor should consider purchasing (and it supports quite a few popular NLEs). You simply drop the filter onto your footage, select your camera profile, how it was filmed, the film stock you’d like, and it’ll look great. But you can do some serious color grading in the Camera Controls, and still end up with a terrific film look for your proj...

Grading Similes

October 20, 2018, 06:50 AM

http://vanhurkman.com/wordpress/?p=3796

A LUT is like a music loop or sample within a song, it can contribute to a grade, but it shouldn’t BE the grade. Automatic correction is like autotune, it can solve problems, but it shouldn’t be the main flavor of your grade. Plugins are like audio effects, a bit can give music texture, but too much makes it look like you’re concealing problems.

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