It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 5, 2020, 01:50 PM
https://lesterbanks.com/2020/05/umake-versus-shapr...
Dimitris Katsafouros covers the two top 3D competitors for modeling on the iPad. While desktop 3D tools get more robust with each release, the same is valid with iPad modeling tools, too, only at a
May 5, 2020, 01:50 PM
https://postperspective.com/how-vfx-house-phosphen...
By Randi Altman In our ongoing coverage of how studios are working remotely, we reached out to New York City-based visual effects house Phosphene. Founded in 2010 by Vivian Connolly and John Bair, Phosphene specializes in photorealistic VFX for film and television, and is particularly known for their detailed CG environments and set extensions. Continue reading → May 4, 2020 The post How VFX house Phosphene has been working remotely appeared first on postPerspective.
May 5, 2020, 01:49 PM
https://www.awn.com/news/watch-pixomondo-vfx-break...
Leading design company Pixomondo has shared with AWN a new VFX breakdown reel showcasing their work on Unversal’s action-thriller, The Hunt. Directed by Craig Zobel and produced by Jason Blum and Damon Lindelof, The Hunt stars an ensemble cast, including Hilary Swank, Betty Gilpin, and Emma Roberts.
May 5, 2020, 01:49 PM
https://www.provideocoalition.com/working-remotely...
Several weeks ago, Adobe shared a Working Remotely guide to basic best practices using Adobe and related tools. It was created in support of creators and filmmakers who may be shifting to remote work and need to stay connected with their teams to continue to complete projects.
May 5, 2020, 01:49 PM
https://www.provideocoalition.com/demystifying-pos...
Use the time at home to learn essential concepts and techniques for post-production following Red Giant’s new free weekly webinar series, titled Demystifying Post-Production. The pandemic may have forced many of us to stay and work from home, but no one can claim there is nothing to do while there. Almost every company, group or [...]Read More...
May 5, 2020, 01:48 PM
https://www.allanmckay.com/245/
Looking at other people’s work can be really inspiring. If you’re looking at it from a place of “Where I want to go” — rather than comparing yourself to everyone else — you’re going to be fine. If, however, you’re looking at everyone else and thinking, “Why aren’t I there?”, that could be a problem. We shouldn’t compare ourselves to everyone else. You don’t know what struggles they’ve had. You only see the end result but not what it took to get there.
May 4, 2020, 05:06 PM
https://www.aotg.com/red-giant-announces-free-webinar-series/
Launching in May and running through July 2020, weekly webinars will cover essential concepts and techniques for post-production
#red giant#webinar seriesMay 4, 2020, 04:50 PM
https://www.cinema5d.com/avid-media-composer-20204...
AVID has just released a new update for its popular editing software: AVID Media Composer 2020.4. This update finally transitions the software to 64-bit, which means it is now compatible with macOS Catalina and the latest Mac Pro. Also, Media Composer 2020.4 now supports ProRes for Windows users, while the new Universal Media Engine takes care of all the import/playback/editing/export tasks instead of Quicktime. Let’s take a closer look at it!
May 4, 2020, 04:50 PM
https://www.artofvfx.com/war-of-the-worlds-vfx-bre...
Come have a look at the creatures and environment work by Vine FX on the TV series, WAR OF THE WORLDS...
May 4, 2020, 04:50 PM
https://beforesandafters.com/2020/05/04/the-true-s...
Sometimes I think the most successful effects shots in films are where multiple techniques get used. That was the case with Gladiator’s famous tiger scene – the one where Maximus (Russell Crowe) engages with Tigris of Gaul, who brings with him a number of tigers.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.