To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Oscar-winning editor, Tom Cross, ACE, discusses hi

May 5, 2018, 09:24 AM

https://www.provideocoalition.com/aotc-Cross-Hosti...

Tom Cross, ACE, is an Oscar winner for his editing of Whiplash. He was last nominated for an Oscar for Best Editing for La La Land, for which he won the ACE Eddie. He was also nominated for an Eddie for his work on Joy. Art of the Cut has interviewed Tom twice before: for Joy and again for La La Land.

Week in Premiere 5/4/18

May 4, 2018, 12:33 PM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: How to Make a Movie with Adrian Bliss • Interview with The Florida Project Post-Production Team • New Review and Portfolio Services from Motion Array • Tutorials: Color Hacks, Sky Replacement, Audio Tips

#adobe#premiere pro#premiere#adobe premiere#premiere pro cc
Avid, Adobe, Blackmagic: Talking With Titans at NA

May 4, 2018, 09:17 AM

https://library.creativecow.net/lewis_hillary/avid...

As much as each year's NAB Show is about what's completely new, it's about hearing what's new from the industry's most enduring companies. Creative COW Contributing Editor Hillary Lewis sat down with representatives from three of the biggest titan companies in production and post -- Avid's David Colantuoni, Adobe's Laura Williams Argilla, and Blackmagic Design's Dan May -- to discuss the thought process behind their releases, what people might overlook, and their outlooks on the future of the in...

Editor John Gilroy, ACE on Problem Solving in the

May 4, 2018, 06:33 AM

https://www.aotg.com/editor-john-gilroy-ace-on-problem-solving-in-the/

John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayt...