To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

HPA announces 2012 Awards nominees

September 13, 2012, 09:36 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES -- The Hollywood Post Alliance has announced the nominees for the 2012 HPA Awards. The Awards honor excellence in post production and bring recognition to the achievements of individuals and companies who are engaged in significant and revolutionary work in post production. The nominees in the 12 craft categories were chosen from a field of talented and innovative entries in color grading, editing, sound, and compositing for motion pictures, commercials and television.

2012 HPA Awards Announce Nominees

September 13, 2012, 09:34 PM

http://news.creativecow.net/story/869727

(Los Angeles, California--September 13, 2012) The Hollywood Post Alliance has announced the nominees for the 2012 HPA Awards. The Awards honor excellence in post production and bring recognition to the achievements of individuals and companies who are engaged in significant and revolutionary work in post production.

Walter Murch on Side by Side

September 13, 2012, 03:11 PM

http://editorunderconstruction.blogspot.com/2012/0...

A documentary called Side by Side (http://sidebysidethemovie.com) that exposes the replacement of analogue by digital media in the world of film, will have great filmmakers like Martin Scorsese, David Lynch or Lars Von Trier. A part of directors, in the film, there will be the wise words of many more filmmakers (web all normbres).

Batch Rename DSLR Footage for Premiere Pro

September 13, 2012, 03:11 PM

http://www.screenlight.tv/blog/2012/09/13/batch-re...

Premiere Pro's ability to work with native formats is a real time saver. Indeed, for any editor who has spent long hours Logging and Transferring footage into Final Cut Pro, it's almost miraculous. But there are some down sides to the Premiere Pro native workflow, particularly when it comes to working with DSLR footage. Despite the time factor, the FCP Log and Transfer process gave you the ability to do two essential things...

Why I Am Done with Traditional Publishing

September 13, 2012, 03:11 PM

http://feedproxy.google.com/~r/richardharringtonbl...

I love books… as a child I'd spend hours a day with them. Sitting in the library... reading in my bed at night... discovering a bigger world. Books unlocked my brain and showed me things that a working-class kid from Chicago could never see.

Dynamic Editing

September 13, 2012, 03:11 PM

http://www.premiumbeat.com/blog/dynamic-editing-pl...

Discover how to edit your video during playback in Premiere Pro! This type of dynamic editing allows for more precise cutting. In this post, we'll show you how to setup your Premiere Pro project for 'live editing' as well as the shortcuts that make it even faster.

Workflows for working with Arri / RED Raw footage

September 13, 2012, 03:07 PM

http://jonnyelwyn.co.uk/film-and-video-editing/wor...

Arri Raw and RED Raw in Premiere Pro 6 Richard Harrington demonstrates in this short tutorial how to work with Raw footage in Premiere Pro. Offline-Online RED FCP7 Workflow If you're looking to do an offline-online workflow with your RED...

Grading Pro Res - LT/HQ Showdown

September 13, 2012, 03:07 PM

http://jonnyelwyn.co.uk/workflow-for-post-producti...

Which ProRes Codec should I grade with? Tristan Kneschke from Exit Editorial has an interesting post providing a side by side comparison of how well images hold up in grading when stored as Pro Res LT or Pro Res HQ...

Milton Ginsberg Discusses His Work

September 13, 2012, 03:06 PM

https://www.aotg.com/milton-ginsberg-discusses-his-work/

Editor Milton Ginsberg, A.C.E. discusses his favorite moments in "Last Year at Marienbad."

Martin Tlaskal talks about 'Baselight for Avid'

September 13, 2012, 03:06 PM

http://www.filmlight.ltd.uk/store/uncategorized/ma...

Follow this link to watch Martin Tlaskal talking to Adam Green about 'Baselight for Avid' at this year's IBC.

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