To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe Premiere Pro CS6 now fully supports Retina

September 6, 2012, 11:15 AM

http://www.videoguys.com/Blog/E/Adobe+Premiere+Pro...

Adobe's video editing application is already a lovely thing on the Retina MacBook Pro, but not visually -- only in terms of its raw performance on that Core i7 CPU. Until today's update -- 6.0.2 -- the software hasn't actually been able to make use of HiDPI itself, and neither has it been able to exploit the performance-boosting potential of GPU compute on the laptop's NVIDIA GTX 650M graphics card. If you're lucky enough to own this combo of hardware and software...

PROMISE Technology Upgrades Pegasus R6 Capacity

September 6, 2012, 11:15 AM

http://www.videoguys.com/Blog/E/PROMISE+Technology...

New Capacity Provides Creative Professionals Advanced Performance and Enterprise Level Data Protection - Lower Total Cost of Acquisition Improves Affordability of Thunderbolt Enabled Storage DevicesPROMISE Technology Inc., a leader in providing high-performance storage solutions for the rich media market and the leader in designing cutting-edge Thunderbolt(TM) enabled devices today announced the introduction of 3TB drives for the Pegasus R6 - expanding capacity to 18TBs.

Edit in the Cloud – Introducing Adobe Anywhere

September 6, 2012, 11:14 AM

http://filmmakeriq.com/2012/09/edit-in-the-cloud-i...

Modern computing is moving towards lower powered and cheaper user interfaces connected via the internet to powerful servers. It was really only a matter of time before this type of cloud computing made its way to the memory and process intensive activity of video editing.

Alex 4D Grow-Shrink effect

September 6, 2012, 11:13 AM

http://alex4d.wordpress.com/2012/09/06/alex-4d-gro...

This Final Cut Pro X effect animates a change in scale for a clip. It defaults to increasing the size of a clip by 5 Percent over the lifetime of the clip. This kind of 'creep in' is useful for adding a little subliminal interest to stills and titles.

D-Link Unveils Latest Cloud Storage System

September 6, 2012, 11:11 AM

http://www.governmentvideo.com/TabId/67/Default.as...

D-Link Systems Inc., a producer of solutions that integrate wireless, broadband, storage, Internet protocol (IP) surveillance and cloud-based network management, says the latest addition to its ShareCenter storage solutions—the 4-Bay Cloud Storage 4000—is available.

Miranda Launches iTX Render Service for AE CS6

September 6, 2012, 11:10 AM

http://broadcastengineering.com/miranda-technologi...

IBC, Amsterdam, Stand 8.D41 — Miranda Technologies, a brand of Belden Inc., a global provider of integrated solutions for production, playout and delivery systems for television broadcasters and multi-system operators, has launched its iTX Render Service (iRS) for Adobe After Effects CS6 software at IBC 2012.

IBC 2012: Leading the Electronic Media and Enterta

September 6, 2012, 07:19 AM

http://www.postmagazine.com/Post-Blog/2012/Septemb...

Attending IBC is always exciting from a cultural perspective. From the attendees who have travelled from all over the world, to Amsterdam's own unique culture and atmosphere, it's an opportunity to meet people and see things that I wouldn't encounter every day, even working in New York City.

Premiere Pro CS6 (6.0.2) update: HiDPI for Retina

September 6, 2012, 07:19 AM

http://blogs.adobe.com/premiereprotraining/2012/09...

Today, the Premiere Pro CS6 (6.0.2) update was released. If Adobe Application Manager hasn't already told you about this, go ahead and check for new updates...

PICTURE EDITORS IN THE SPOTLIGHT

September 6, 2012, 07:18 AM

https://www.editorsguild.com/FromTheGuild.cfm?From...

In early August, the American Cinema Editors (ACE) presented its fifth annual EditFest LA at Universal Studios. The event drew an audience of editors, aspiring editors, other post-production personnel and students from Los Angeles as well as from San Francisco, New York, Kansas City, Memphis and Boston. Attending from outside the United States were four members of the Canadian Cinema Editors and the president of the Netherlands Association of Cinema Editors.

Editors See RED

September 6, 2012, 07:18 AM

https://www.editorsguild.com/FromTheGuild.cfm?From...

In late, July 25, Dan Duran and Brian Henderson of RED Digital Cinema came to the Editors Guild's Seminar Room at the Los Angeles offices to present an overview of RED post production workflow to a capacity audience of editors and assistant editors. Guild Board member and training committee head Suhail F. Kafity, MPSE, introduced the RED experts who would demonstrate the RED workflow from ingest to grading, as well as transcoding and export to various nonlinear editing (NLE) systems.

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