To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Framewright/Codex On-Set Color Solution Used...

August 7, 2012, 04:34 PM

http://ryansalazar.net/index.php/2012/08/framewrig...

As more and more film and television productions move to digital acquisition, directors and cinematographers have increasingly sought simple means to "pre-visualize" color on the set in order to have better control over the look of their footage from dailies through post production. Many filmmakers have found that predefined 3D look-up tables (LUTs) are...

No Matter How Hard They Try, 3D Just Won't Die

August 7, 2012, 04:34 PM

http://3dguy.tv/no-matter-how-hard-they-try-3d-jus...

If the Olympics and Christopher Nolan can't kill 3D, then nothing will. Let's briefly look at the history of 3D. In 1865 more than 1/3rd of the pictures taken were done in 3D.

Matrox MXO2 LE MAX Speeds Up The Workflow Process

August 7, 2012, 04:34 PM

http://www.hdvideopro.com/blog/editor/2012/07/matr...

With the use of a Matrox MXO2 LE MAX and a MacBook Pro, filmmaker Herbert Kellner edits "Travel Secrets Mexico"

Easier session management with Audition CS6

August 7, 2012, 04:33 PM

http://blogs.adobe.com/insidesound/2012/08/easier-...

Today, we wanted to focus on two new features in Audition CS6 that can simplify your day-to-day work: a secret new preference, and our new Session Templates. If you look in the Multitrack pane of the Preferences dialog, (see below), you will find a handy preference that allows you to save all currently...

CPUG Network Announces Amsterdam Supermeet

August 7, 2012, 04:31 PM

http://www.creativeplanetnetwork.com/2-pop/news/cr...

The Creative Pro User Group Network (CPUG Network) have announced the Fifth Annual CPUG Amsterdam SuperMeet, to take place on Sunday, September 9, 2012 at the Hotel Krasnapolsky in the heart of Amsterdam during IBC 2012.

Eric Quanstrom on Digital Production Buzz

August 7, 2012, 04:30 PM

http://blog.sorensonmedia.com/2012/08/eric-quanstr...

Eric and Larry talk about about why Sorenson 360 is important to Sorenson Media, the new features, how we've improved the security, and a typical workflow editors can use to speed the review process.

Workflow Profile: TV Azteca

August 7, 2012, 04:28 PM

http://www.tvtechnology.com/article/workflow-profi...

TV Azteca of Mexico is an example of one of the many smaller facilities in the International Broadcast Centre (IBC) in London, but it shares many technical features with larger broadcasters. Pedro Carmona Ortiz, Special Events Engineering Director for Azteca. Azteca has been all HD and tapeless since starting down these paths at the World Cup in 2010, in South Africa.

New NVIDIA Quadro GPUs Performance "To Go"

August 7, 2012, 04:27 PM

http://www.studiodaily.com/2012/08/new-nvidia-quad...

SIGGRAPH 2012 — LOS ANGELES — Aug. 7, 2012 — NVIDIA officially announced today a new line of Quadro professional graphics solutions for the latest leading mobile workstations. Designed for engineers, industrial designers, animators, and film and video editors that need to take their work with them, these new Quadro graphics processing units (GPUs) feature Kepler, the fastest, most efficient GPU architecture.

Video Symphony Graduate Spotlight: Misha Tenenbaum

August 7, 2012, 04:26 PM

http://www.hollywoodpostproduction.com/515448/2012...

The recent Emmys nominations marked an important milestone for Video Symphony graduate Misha Tenenbaum. The native Bostonian, who came to LA just five years ago, was assistant editor on the horror-drama TV series "American Horror Story," a miniseries that led all other programs with 17 Emmy nominations.

CuteDCP, DCP creation plugin for After Effects

August 7, 2012, 04:24 PM

http://colorgrader.net/index.php/grading-accessori...

Fandev announces CuteDCP, a DCP (Digital Cinema Package) creation tool for After Effects. CuteDCP is an exporting (output module) plugin which allows users to create DCPs from any file imported into After Effects and reduces the number of steps creating a DCP to a minimum. CuteDCP has been tested on most major play-out servers.

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