It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 21, 2020, 12:55 PM
https://www.youtube.com/watch?v=Wke0vrmgQzo
“How do I edit remotely or work from home?” Today we’ll look at Avid, as they have many supported options, so you can cut with Media Composer from just about anywhere. Extending your desktop, proxies, cloud, and more! 1. Extending Your Desktop 2. Islands of Media 3. Virtualization and Extending: Media Composer | Cloud VM 4. Streaming Proxies: Media Composer | Cloud Remote 5. Computer, Storage, and Media in the Cloud: Avid | Edit On Demand Full Blog & Transcript: https://5...
April 21, 2020, 12:55 PM
https://lesterbanks.com/2020/04/stroke-it-for-houd...
Will MacNeil’s Houdini Asset now can convert images into 3D paint strokes. If you’ve never heard of Stroke-It, it’s a Houdini Asset that creates realistic oil painting strokes that are physically in 3D space. The
April 21, 2020, 12:55 PM
https://www.broadcastbeat.com/storage-innovation-a...
Dusseldorf, Germany, 20 April 2020: ELEMENTS, provider of innovative, high-performance media storage and server systems for the post-production and broadcast industry, is unveiling how to make your storage work harder for a smoother and less complicated workflow through a series of webinars designed for working remotely – now and in the future. Learn about web ... The post Storage Innovation and Collaboration Webinars with ELEMENTS appeared first on NAB Show News | 2020 NAB Show Media Par...
April 21, 2020, 12:54 PM
https://www.redsharknews.com/production/item/7114-...
It’s inherent that a movie needs to use a powerful visual language in order to become a success. But many, if not all, successful movies also use sound and soundscapes to help control the spectator’s emotions with regards to what they are seeing. Sci-fi movies like Wall-E and Star Wars use soundscapes to draw us deep into an unknown world by using familiar sounds in novel ways. Sound designsoundscape
April 21, 2020, 12:54 PM
https://www.fcp.co/final-cut-pro/tutorials/2260-ch...
It is one of the most asked questions on forums: "How do I get a film look?" Oliver Peters can answer that, he's put together his tips on how to emulate emulsion in an NLE.
April 21, 2020, 12:54 PM
https://www.provideocoalition.com/cinema-4d-s22/
The latest version of Maxon’s Cinema 4D, S22, just dropped. Here’s the 100 word blurb from the press release: “performance and workflow advances including UV unwrapping and editing tools, improved...
April 20, 2020, 04:46 PM
http://www.cgw.com/Press-Center/In-Focus/2020/Demo...
Visual effects are becoming an increasingly large part of modern film and television. With the 10 highest grossing films of 2018 being VFX-heavy, it’s no surprise that directors and producers are optimistic about expanding the use of visual effects in lighting, costume, set, makup, hair, production design and stunt capabilities.
April 20, 2020, 04:46 PM
https://www.artofvfx.com/fast-and-furious-presents...
Get ready for a tons of action in this VFX Breakdown by DNEG about their work on FAST & FURIOUS PRESENTS HOBBS & SHAW...
April 20, 2020, 04:46 PM
https://www.youtube.com/watch?v=wSwOtqkGa3w
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April 20, 2020, 04:46 PM
https://www.youtube.com/watch?v=3_JFn7dMl9g
Move a group of clips to a new timeline location ▶️ https://www.avid.com/pro-tools Follow Avid Pro Tools: https://facebook.com/avidprotools https://instagram.com/avid.protools https://twitter.com/avidprotools https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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