It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 21, 2012, 06:30 AM
http://www.videoguys.com/Blog/E/One+Week+with+Prem...
As producers for two TV shows for the Pursuit Network, Robbie Coblentz and team had a comfortable workflow with FCP 7, with just one drawback... it took a ton of time to encode everything to a single format prior to editing. Enter Adobe's new hardware settings for PP CS6 which allow third-party cards like Blackmagic Design and AJA to work much better. Read on for the pros and cons of one week with Adobe Premiere Pro.
July 21, 2012, 06:30 AM
http://lfhd.net/2012/07/20/the-edit-bay-ep-39-how-...
EDIT BAY POSTS After a long hiatus, the Edit Bay podcast is finally back. The thirty-ninth episode of THE EDIT BAY is now available for download. This one is all about how the stuff I watch on TV doesn’t look nearly as good as when I color corrected it in my edit bay. To play in your [...]
July 21, 2012, 06:22 AM
http://jonnyelwyn.co.uk/business-2/interview-with-...
What does a colorists assistant do? Aaron Williams has a great interview with his friend Luis Silva on what its like to work at EFILM, one of the world’s major DI houses as a colorist’s assistant. There’s plenty of great … Continue reading →
July 21, 2012, 06:20 AM
http://www.videoguys.com/Blog/E/Hot+Wheels+Double+...
A life-sized version of a Hot Wheels® orange track set defied gravity with a first-of-its-kind two-driver challenge.
July 21, 2012, 06:19 AM
http://www.premiumbeat.com/blog/carousel-vintage-v...
Red Giant Software and Crumplepop release Carousel, vintage film effects for Final Cut Pro X. Give your video projects a unique retro style!
July 21, 2012, 06:18 AM
http://www.videoguys.com/Blog/E/Promise+Pegasus+Th...
The Promise Pegasus RAID Storage (Pegasus R4 and R6) are 4-bay and 6-bay High Performance Hardware RAID Solutions designed to unleash the raw power of Thunderbolt technology.
July 21, 2012, 06:13 AM
http://feedproxy.google.com/~r/industryhappenings/...
Sony Electronics and Post FactoryNY would like to invite you to an evening of demonstrations and discussion of Sony Super 35mm Sensor Cameras. The PMW-F3 and NEX-FS700 have created an opportunity for a unique new look among reality programming. From this session you will learn: How to create a distinctive "look" for your show The [...]
July 21, 2012, 06:10 AM
http://www.videoguys.com/Blog/E/Using+Tiffen+Dfx+P...
Simulating 2,000+ popular award-winning Tiffen glass filters, specialized lenses, optical lab processes, film grain, exacting color correction, plus natural light and photographic effects, the Tiffen Dfx digital filter suite is the definitive set of digital optical filters for professional photographers, top motion picture filmmakers, video editors, and visual effects artists around the world. Check out these greet video tutorials and find out why Tiffen Dfx filters are so hot!
July 21, 2012, 06:04 AM
http://blogs.adobe.com/toddkopriva/2012/07/reducin...
[Today's post is by Benjamin Markus, who is working with us as an intern this summer.] If you've ever tried your hand at stop-motion animation or time-lapse photography, chances are you've run into the common problem of inconsistent lighting or luminance variation between consecutive pictures taken on the same camera, with the same lens and settings. This issue is usually referred to as flicker.
July 20, 2012, 03:05 PM
http://www.videoguys.com/Blog/E/REVIEW+Adobe+Produ...
ADAM GARSTONE applauds how far Adobe has come with their premium editor but wonders if they arrived in too much of hurry and not taken care of some important basics. Tacitly, even Adobe admit that Premiere Pro used to be a bit 'pants'. Several versions ago, it didn't really do much, and just when you had found something it would do, it crashed. I can only think that some of this taint still follows it, as it's never really gained traction in the broadcast and feature film industries, even tho
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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