To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

fylm.ai: AI color grading in the cloud

November 19, 2021, 08:44 AM

https://www.redsharknews.com/fylm.ai-ai-color-grad...

fylm.ai has released its cloud-based AI color grading tool, following its beta announcement earlier this year.

The Oristiq

November 18, 2021, 11:12 AM

https://www.theoristiq.com/

"TheOristiq.com brings real-world experts and The Oristiq publishers together. Our searchable database of hundreds of thousands of quality original articles, posted by Expert Authors & Writers, allows email newsletter publishers who are hungry for fresh content to find articles to include in their next newsletter (up to 25 articles per year per our Publisher TOS)."

#technology#blog#home#theoristiq#blogging#web development
Mark Todd Osborne Added to Colorist Society Board

November 17, 2021, 08:23 AM

https://postperspective.com/mark-todd-osborne-adde...

The Colorist Society (CSI) has named veteran colorist Mark Todd Osborne to its board of directors. Osborne is a Los Angeles-based senior colorist with more than 200 film and television credits. As a board member, he will be involved governing, managing and planning for the organization. He will also act as an ambassador for CSI to other industry organizations and the wider pro community. Continue reading → November 16, 2021 The post Mark Todd Osborne Added to Colorist Society Board appeared fi...

The truth about colour. This is stuff every film-maker should know about.

November 17, 2021, 08:23 AM

https://www.redsharknews.com/studio-broadcast/item...

Replay: Guest author John Clark of Berlin Picture Company explores why there's so little consistency of colour across broadcast platforms and what the industry may need to remedy the problem.

How to Colorize Clones With a Python Effector in C4D

November 16, 2021, 08:08 AM

https://lesterbanks.com/2021/11/how-to-colorize-cl...

Expresso Mechanic TV looks at the color array and how to color clones within a Cloner. A new installment of Python Bytes sees Expresso Mechanic TV showing how to alter the color of clones within a cloner

My Kingdom for Some Color Bars

November 15, 2021, 08:25 AM

https://digitalfilms.wordpress.com/2021/11/13/my-k...

In a former life, video deliverables were on videotape and no one seriously used the internet for any mission-critical media projects. TVs and high-quality video monitors used essentially the same display technology and standards. Every videotape started with SMPTE color bars used as a reference to set up the playback of the tape deck. Monitors […]

Color Grading in Capture One Easy Powerful Fast

November 15, 2021, 08:24 AM

https://fstoppers.com/capture-one/color-grading-ca...

Before getting into the thick of this article, there is an important distinction that needs to be addressed when discussing the coloring of images (and video, for that matter), and that’s between color correction and color grading.

Blackmagic Design Announces New Micro Converter 12G models

November 12, 2021, 08:58 AM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced a new family of Micro Converter 12G models that lets customers use HDMI equipment with professional SDI systems. These new models feature custom hardware developed by Blackmagic Design and include features previously only found on high end converters. Micro Converter 12G models include features such as 3D LUTs and more SD, HD and Ultra HD video formats.

#blackmagic design#davinci resolve#micro converter 12g
Blackmagic Design Announces New Blackmagic URSA Broadcast G2

November 12, 2021, 08:56 AM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced Blackmagic URSA Broadcast G2, a next generation professional broadcast camera with 6K digital film sensor that brings digital film quality to both traditional and online broadcasters. The advanced 6144 x 3456 digital film sensor provides exceptional low light performance with dual gain ISO of up to +36dB as well as 13 stops of dynamic range. Blackmagic URSA Broadcast G2 also includes H.265 and Blackmagic RAW file formats, Blackmagic generation 5 color science, a...

#blackmagic design#davinci resolve studio#ursa broadcast g2
Luis Reggiardo takes on new role as colorist at Digital Orchard

November 10, 2021, 09:13 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

CHALFONT SAINT GILES, UK — Film and digital services company Digital Orchard (www.digitalorchardgroup.com) has announced that Luis Reggiardo will be joining their picture post team as a colorist. Reggiardo has been part of the Digital Orchard team, working as a DIT and on-set colorist for feature films and HETV for several years. He will now make the move to full-time colorist based at the company’s post production facility, here.

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