It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 17, 2012, 06:37 AM
http://digitalfilms.wordpress.com/2012/06/17/into-...
As most of you know in following this blog, I've challenged the wisdom of what Apple has done with Final Cut Pro X. You may have also sensed, however, that I have warmed a bit to the application over the months. I've been working with FCP X since its launch nearly a year ago, mostly...
June 17, 2012, 06:37 AM
http://feedproxy.google.com/~r/ThatPostShow/~3/L9c...
On this episode of That Post Show, we have Zack Arnold, Mike J Nichols, Paul del Vecchio, Patrick Johnson. We talk about Indie Filmmaking, Documentaries, workflow and -- of course -- Burn Notice and The Bannen Way. Part one of two.
June 17, 2012, 06:32 AM
http://www.screenlight.tv/blog/2012/05/05/10-weeke...
With the future of the Mac Pro always in doubt and Rich's impending switch to CS6, we started talking about what it would take to build a hackintosh and whether such a machine could be counted on as a primary editing system.
June 17, 2012, 06:32 AM
http://www.dvinfo.net/news/netstor-releases-thunde...
The Thunderbolt(TM) TurboBox meets precisely the demands of audio/video users for high mobility and wide expansion of up to three audio/video editing PCIe add-on cards for attached power/capabilities to the MacBook Pro for video/audio production. Taipei, Taiwan, May 15 - Netstor Technology is happy to announce that they will release the Thunderbolt PCIe expansion box...
June 16, 2012, 01:17 PM
http://www.tejbabra.com/2012/06/16/key-code-media-...
Key Code Media (Seattle) will be hosting a mini trade show on June 21st, at the Museum of Flight, in Seattle. This show will be FREE for anyone that registers online. Here's your chance to test drive new products, have your workflow questions answered by manufacture technology experts as well as mix and mingle with your...
June 16, 2012, 01:17 PM
http://www.scottsimmons.tv/blog/2012/06/16/linkage...
The Autodesk Smoke for Mac free trial is ready for download. I've got to learn to use nodes. If you're using CS6 on a Mac then grab these ProRes encoding presets. And if you need to download the additional CS6 content (Encore library, PPro and AE templates) then here's the link for that. Avid has...
June 16, 2012, 06:49 AM
https://www.aotg.com/2012-ace-eddie-awards-host-introduction/
Patton Oswalt's Opening to the 2012 ACE Eddie Awards
June 16, 2012, 06:47 AM
http://postfifthpictures.com/2012/06/sync-n-link-r...
This has been a long time coming. I've had Sync-N-Link for a little while and then got put on a project where I couldn't
June 16, 2012, 06:46 AM
http://www.variety.com/article/VR1118055545.html
Dailies have been part of the filmmaking process since the dawn of the industry. For the nearly 100 years that features were shot mostly on film, the raw, unedited footage captured during production was developed at night and printed onto film for viewing the next day by the director, producers, actors and crew as a way to gauge the performances, the cinematography and how the picture was progressing in general.
June 15, 2012, 04:22 PM
http://lfhd.net/2012/06/15/going-avid/
As in going native. Get it? OK, sorry moving on. I have a new project starting up in June. This is a revival of a TV series that aired on the Discovery Channel called A Haunting. The name is changing slightly to An American Haunting but will pick up where the last series ended, episode number wise...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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