It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 8, 2020, 01:00 PM
https://92moose.fm/cats-butthole-cut-effects/
In the dumpster fire that is Tom Hooper’s adaptation of Andrew Lloyd Weber’s hit Broadway musical Cats, no news is too shocking. From its very first trailer, the Universal-produced movie became the butt of every joke. The horrific animation alone was enough to spawn its own category of memes. But even months (and six Razzie Awards) later, Cats is still managing to ruffle the fur of those who worked on the project. In a new interview with The Daily Beast, an anonymous source gave the scoop on...
April 8, 2020, 01:00 PM
https://www.provideocoalition.com/aotc-murch-bcpc/
In December of 2019, Walter Murch extended me a generous invitation to come see a screening of his documentary, Coup 53, in San Francisco. Shortly before I went – armed with a ton of questions of my own – I asked the Facebook group of Blue Collar Post Collective if there was anything they’d like to ask Murch. I took their questions with me and presented them in this interview.
April 8, 2020, 01:00 PM
https://www.cinema5d.com/frame-io-launches-workflo...
Frame.io has recently launched its new miniseries about a fully-digitalized workflow from home. Michael Cioni (SVP of Global Innovation, frame.io) presents the series that covers a fully centralized cloud-based production workflow.
April 8, 2020, 01:00 PM
https://www.cbr.com/star-wars-force-awakens-editor...
Two editors close to Disney's Star Wars trilogy have spoken out against Rian Johnson's Star Wars: The Last Jedi, claiming the 2017 movie was designed to "undo" the franchise's arc.
April 8, 2020, 01:00 PM
https://www.artofvfx.com/gemini-man-vfx-breakdown-...
Come have a look at how Weta Digital created a young version of Will Smith for GEMINI MAN...
April 8, 2020, 12:59 PM
https://americancinemaeditors.org/peter-gamba/
In Memoriam – Roney Editor Peter Gamba Read more: Bravo TV article>>
April 8, 2020, 12:59 PM
http://www.digitalrebellion.com/blog/posts/recent_...
In case you missed it, here are some recent software updates for our products.CinePlay for iOS 1.7.5 - Mar 28 2020 CinePlay no longer uses OpenGL, which fixes some bugs / glitches and increases compatibility with future versions of iOS. This also necessitated the removal of the Kollaborate CDL coloring feature. Our recommended replacement is to use an Upload Workflow on Kollaborate to bake a LUT into a proxy. Fixed a crash that could occur at startup Lots of UI / polish tweaks General bu...
April 7, 2020, 07:51 PM
https://opendrives.com/wp-content/uploads/2020/04/...
OpenDrives Anywhere is an in-place private cloud model for the remote post-production workforce. It provides the same level of capabilities and performance teams need to move projects forward without any compromise to the quality and security of video files.
#editing#vfx#post production#remote workflows#studio solutionsApril 7, 2020, 03:42 PM
https://www.aotg.com/the-finish-line-uses-editshares-flow/
EditShare®, a technology leader that specializes in collaboration, security, media management and intelligent storage solutions, today announced that UK based post-production company, The Finish Line, is using EditShare’s Flow media management workflow solution to scale its post-production business through remotely enabled workflows. Known for its high caliber finishing services, The Finish Line chose EditShare’s open and collaborative media management solution to create a secure cloud-base...
#editshare#flow#qscan#the finish line
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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