It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 30, 2012, 02:57 PM
http://www.fcp.co/motion/49-news/837-final-cut-kin...
The first word that springs to mind when we saw this new USD35 pack of pre-keyed and animation capable elements and characters was 'original.' Released now for Final Cut Pro X and Motion, you can add these cartoon elements to your videos.
May 30, 2012, 02:55 PM
http://www.macprovideo.com/hub/final-cut/final-cut...
I've been asked recently by first time FCP X users about how to actually go through the editing process, not how to use each individual tool. I also find in my classes and seminars many long time editors are using time consuming workflows that aren’t very efficient.
May 30, 2012, 02:54 PM
http://www.creativeplanetnetwork.com/the_wire/2012...
Vancouver, British Columbia — May 30, 2012 — Singular Software, a developer of workflow automation applications for video production, is pleased to announce download-availability of a greatly simplified integration between its multi-award winning PluralEyes software and the latest Adobe Premiere Pro CS6.
May 30, 2012, 10:12 AM
http://www.blogtalkradio.com/moviegeeksunited/2012...
Movie Geeks United speaks with Academy Award nominated editor Chris Tellefsen (Moneyball, The People vs. Larry Flynt) about the memorable films that grace his resume. He is joined by editor and author Bobbie O'Steen, who will moderate a special event with Mr. Tellefsen during EditFest NY on June 9.
May 30, 2012, 09:06 AM
http://www.nytimes.com/2012/05/27/movies/kim-rober...
THAT the Cannes Film Festival chose not to include any work by female directors in its competition this year created a mini-scandal. But it obscured a couple of other points about the state of women in film. For instance, only 2 of the 22 features in question were shot by female cinematographers. On the other hand, a full third of the movies were cut by female editors.
May 30, 2012, 08:23 AM
http://scruffythinking.com/thatpostshow/2012/5/29/...
On this episode of That Post Show -- we discuss the new Adobe Audition CS6 -- with Larry Jordan and Durin Gleaves. Larry is the guy for Final Cut Pro X training, as well as the host of Digital Production Buzz and Durin is the Product Owner at Adobe for Audition.
May 30, 2012, 08:23 AM
http://splicevine.com/log-leech/
Log Leech makes system logs look so elegant, you may find yourself looking forward to running reports. If you’re like most, you look forward to opening up either Terminal or Console in OS X as much as opening a letter from...
May 30, 2012, 08:23 AM
http://provideocoalition.com/index.php/ryoung/stor...
Creating 3D text in After Effects has long been a cottage industry, generating many workarounds and 3rd party plug-ins. Adding to the parade is one of the big new features in After Effects CS6, the extrusion and material options in the Ray-tracing renderer, which requires an Nvidia GPU. Many will benefit from the new features...
May 30, 2012, 08:22 AM
http://www.flickeringmyth.com/2012/05/cutting-edge...
"My parents were not involved directly in the arts," states British Film Editor Peter Honess who was the son of the head of personnel at MGM Studios in England. "I left school when I was 17 and after six months or so my Father got fed up with me hanging round the house; he came back from the Studios one Friday night and told me I would be starting work on Monday in the cutting rooms. I asked him what a cutting room was; I soon found out and 48 years later I am still there!...
May 30, 2012, 08:20 AM
http://www.fcp.co/final-cut-pro/news/836-steve-mar...
Yes you read the title right, the color square. Which of course should be the color board, but we have a feeling that Steve's new name for the tool just might stick! Whatever it's called, good Final Cut Pro X color correction tips from the duo.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.