It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 9, 2015, 07:15 PM
http://postperspective.com/colorist-society-not/
Colorists deserve their own collective By Jim Wicks Will there come a day when colorists will become a band of brothers (and sisters)? Or are we destined to remain as solo participants on the world cinema stage? In the motion pictures and television industries many artists are collectively known by the company they keep. The DPs — American Society of Cinematographers (ASC); the Editors — American Cinema Editors (ACE) and Motion Pictures Editors Guild (MPEG); Digital Artists – Visu...
November 5, 2015, 07:52 PM
https://news.creativecow.net/story/880073
(London, UK--November 5, 2015) When it came to grading The Americans, where the central characters live a double life, colourist John Crowley knew he would need to create some distinctive looks. He used one of Technicolor PostWorks New York’s Baselight systems to grade series two and three of the New York-shot, 1980s-set show, working closely with director of photography Richard Rutkowski.
November 5, 2015, 05:32 AM
https://www.aotg.com/modify-keys-with-rgb-controls/
In this episode of DaVinci Resolve in Under 5 Minutes, Alexis shows you how to connect a key output to an RGB input in order to give you more control over your keys and fine tune your color corrections.
November 2, 2015, 05:26 PM
http://nonlinearpost.com/resolve-12-users-rejoice-...
Resolve 12 Users Rejoice Over El Capitan I’m sure that many of you OSX users have seen that App Store message from time to time, suggesting that you upgrade your OS. If you are a Resolve 12 user, you’ll be in heaven. However, if you want to continue to happily use your Macs with Adobe Premiere or Avid, you should calm yourself before jumping to the next upgrade. You see, Apple has a way of upgrading their software to sell more […] The post Resolve 12 Users Rejoice Over El Capitan app...
October 29, 2015, 01:58 PM
http://www.studiodaily.com/2015/10/red-giant-relea...
Red Giant introduced Trapcode Tao, a new GPU-accelerated procedural 3D geometry creation tool, as part of Trapcode Suite 13. "With Trapcode Tao, we're bringing the ability to generate amazing, procedurally generated 3D ribbons and geometric shapes to After Effects," said … more » The post Red Giant Releases Trapcode Tao in Newest Suite Update appeared first on Studio Daily.
October 28, 2015, 05:11 AM
http://www.redsharknews.com/production/item/2993-x...
We examine the X-Rite ColorChecker Video, an attempt to update an industry standard. XRitei1 Display ProColorChecker VideoColour Chart
October 27, 2015, 09:36 AM
http://blog.planet5d.com/2015/10/v-log-l-luts-by-c...
In-demand UK cinematographer James Miller has been making and using LUTs in his stills photography and cinematography for longer than many of us have been shooting LUTless or not.
October 26, 2015, 05:19 PM
http://www.videoguys.com/blog/news-and-sales/red-g...
Red Giant Magic Bullet Suite delivers addditional performance and features that video editors will love. In this review you’ll learn more about the feaures and performance that make Red Giant Magic Bullet Suite the color grading tool everyone can and should be using. Planet 5D by High Brownstone Magic Bullet 12: Color Grading MONSTER, Right Inside Your NLE Please Read More The post Red Giant Magic Bullet 12 is your Color Grading Monster! appeared first on Videoguys Blog.
October 22, 2015, 10:28 AM
http://www.redsharknews.com/post/item/2966-the-beg...
Phil Rhodes provides everything you always wanted to know about LUTs... LutsColour GradingColourpost productionLook up table
October 22, 2015, 10:26 AM
https://www.aotg.com/making-money-as-a-colorist/
In this film we will be discussing making money as a colorist.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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