It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 27, 2015, 04:29 PM
http://news.doddleme.com/news-room/sky-captain-and...
In the mid-2000s I sat in a theater and watched an awesome film called Sky Captain and the World of Tomorrow. It had the same ideas and design aesthetics of another great retro-futuristic film I loved called The Rocketeer, but cranked up to eleven. Sure, some of the dialogue was badly written and flatly delivered, but that actually added to the 1940′s serialized radio program feel to me.
July 27, 2015, 12:32 PM
http://www.postmagazine.com/Video-Center/Gallery/V...
Encore VFX shows off some of its Emmy-nominated work for The Flash in this breakdown video, including its work on the Grodd episode.
July 27, 2015, 12:31 PM
http://www.provideocoalition.com/after-effects-hid...
Whereas some effects process every pixel in a layer more or less evenly (think blurs or color correction), others generate new pixels based around a specific point on a layer (for example, particle systems and lens flares). You can define where that Effect Point is on a layer, and even animate it - but unlike a normal Position path, the path between the keyframed positions for Effect Points are not visible in the Composition panel. This has led more than one After Effects user to assume they...
July 27, 2015, 12:29 PM
https://www.aotg.com/bubble-prism-planets/
White light coming in is composed of all the colors of the rainbow and based on the thickness of the film all the different colors refract off in a different way, just like a prism we get the whole spectrum in every bubble.
July 27, 2015, 12:29 PM
https://www.aotg.com/raiders-raptors-and-rebels-behind-the-magic-of-ilm/
Raiders Raptors and Rebels Behind the Magic of ILM
July 27, 2015, 12:29 PM
http://www.3dtotal.com/index_interviews_detailed.p...
Caroline Pires: Caroline Pires, CEO of Nerdeo and freelance VFX supervisor/artist. I have worked in the visual effects industry for seven years as both an artist and supervisor, on major blockbuster titles and small independent films. I do VFX for TV and advertising, having worked with Framestore, Saddington Baynes, Mainframe, Vine FX, Pixomondo, Nvizible and Cinesite to name just a few of the facilities listed on my CV.
July 27, 2015, 07:37 AM
http://www.thehollywoodnews.com/2015/07/27/greates...
With Tom Cruise hanging off of the side of a massive plane in Mission: Impossible Rogue Nation (above) which opens later this week, we thought we’d scramble together 16 of the best movie stunts we’ve ever seen.
July 27, 2015, 07:33 AM
http://www.cgmeetup.net/home/daredevil-vfx-breakdo...
Daredevil is a Netflix series based on the comic books of the same name and set within the Marvel Cinematic Universe. It follows the fictional character of Matt Murdock (Charlie Cox), a superhero who uses his heightened senses from being blinded as a child to fight crime on the mean streets of New York City’s Hell’s Kitchen as Daredevil.
July 27, 2015, 07:32 AM
https://www.aotg.com/realflow-2015-features-splines/
Spline curves can be created interactively, or imported using SVG format, and be used to emit fluid or control the Spline Daemon forces.
July 26, 2015, 07:24 AM
http://www.artofvfx.com/?p=12784
Here is the recap of my interviews of the week #30. So you won’t miss any of them.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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