It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 1, 2012, 03:26 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Well… it happened. Plot Device won the Webby for best editing. I'll keep this short, because we are all, honestly, stunned. Not that we didn't think that director Seth Worley's fantastic cutting/storytelling wasn't worthy of an award, but when you go up against the kind of competition we had, you kind of just say...
May 1, 2012, 03:26 PM
http://provideocoalition.com/index.php/rharrington...
The power really is in the trim for Adobe Premiere Pro CS6.
May 1, 2012, 03:26 PM
http://www.premiumbeat.com/blog/create-a-vintage-l...
Give your project a unique vintage look with the Film Stocks plug-in from Digital Film Tools. Choose from over 288 classic looks to create a distinct visual style!
May 1, 2012, 03:26 PM
http://provideocoalition.com/index.php/cmg_keyfram...
Buried in the shuffle over the announcement of After Effects CS6 is that we concluded the video training series for our book After Effects Apprentice 2nd Edition with a nearly 3.5 hour course dedicated to that book's Final Project.
May 1, 2012, 03:26 PM
https://www.aotg.com/how-do-you-expect-the-role-of-the-editor-to-change/
www.ace-filmeditors.org The 2011 IAVA Oscar Nominee Panel answers the question Given the huge changes in editing technology, how do you expect the role of the editor to change?"
May 1, 2012, 03:25 PM
http://news.creativecow.net/story/868735
(Boston, Massachusetts--May 1, 2012) Noise Industries, developer of visual effects tools for the post-production and broadcast markets, introduces Sheffield Softworks Vintage Effects, available now for Final Cut Pro, Motion and After Effects through FxFactory.
May 1, 2012, 03:23 PM
http://magazine.creativecow.net/article/nab-2012-c...
Cache-A Corporation has served NAB-goers with an updated high-performance Power-Cache Archive Server, including the latest version 2.1 software release, which contains a host of powerful features for all the models.
May 1, 2012, 03:22 PM
http://blogs.creativecow.net/blog/11496/post-nab-t...
SInce NAB 2011 the NLE market has been aflutter. Apple announced release of FCPX was heralded until the new version of the App hit the street and Apple, in my humble opinion, placed that product on the market about a year too early for the majority of users to understand or handle.
May 1, 2012, 03:20 PM
http://www.macprovideo.com/hub/final-cut/color-gra...
Using color gradients to affect the color grade of our video images is a really neat trick to know about. It helps a lot when you need to tone down or brighten up a sky but not the landscape below it, when you need one area effected with tint and luminance but not others. You could always use a matte, but that could get complicated in some situations. The following 3 step technique will come in handy for not just fixing things, but enhancing the emotional content of your video images.
May 1, 2012, 03:17 PM
http://www.studiodaily.com/2012/05/useful-tools-fo...
Ripple Training is known mostly for its excellent Final Cut Studio / Final Cut Pro X training (though DaVinci Resolve tutorials were recently added to the mix). Ripple's newest product isn't training-related but rather a plug-in for Final Cut Pro X. Callouts might not be useful for all your FCPX edits but it's the type of tool that can come in quite handy in the right project. At USD49, it should quickly pay for itself in the time it saves.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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