It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 1, 2012, 03:16 PM
http://funkyfresh.com/index.php?option=com_content...
What editing package do you use? What should I buy? Do I have to be an Avid editor to work on films? Is Premiere replacing Final Cut? I hear good things about Vegas. Should I try it? We hear these questions over and over.
May 1, 2012, 03:06 PM
http://www.postmagazine.com/Video-Center/NAB/NAB-2...
Outpost Digital's Evan Schechtman speaks at the Autodesk event, trying to define the different roles in post production workflows.
May 1, 2012, 03:06 PM
http://feedproxy.google.com/~r/industryhappenings/...
Melbourne's top editors share their insights into the serious side to editing TV comedy. SPEAKERS: Julie-Anne De Ruvo- Woodley, The Jesters, Laid Ken Hardie Spicks Specks, Thanks God You're Here, Talkin' about Your Generation Chris Branagan Lowdown, The Librarians, Judith Lucy's Spiritual Journey Swinburne University of Technology, Building PA, 144 High Street...
May 1, 2012, 03:06 PM
http://www.postmagazine.com/Press-Center/Daily-New...
SOUTH MELBOURNE, AUSTRALIA -- Bluefish444 (www.bluefish444.com), manufacturer of uncompressed 4K/2K/HD/SD SDI video cards, has released Fluid 4K Review. Designed for use with Epoch and Create video cards, Fluid is the company's next generation Windows software that's designed for previewing 4K RGB/YUV files output from Epoch|Supernova video cards on 4K capable LCDs and projectors.
May 1, 2012, 03:06 PM
http://feedproxy.google.com/~r/industryhappenings/...
Would you like to: Edit your own demo reel? Create compelling content? Cut your own projects together? Of course! SAVE MONEY! Stop paying others to do it! That's why YOU need to know how to use Apple Final Cut Pro X! Apple Final Cut Pro X is one of the most powerful...
May 1, 2012, 03:06 PM
http://www.postmagazine.com/Press-Center/Daily-New...
MORGAN HILL, CA -- At the NAB show, Cache-A Corporation (www.Cache-A.com) showed the Power-Cache archive server, which includes the company's Version 2.1 software release. Power-Cache combines Cache-A's appliance functionality with a fast disk array and ultra-fast networking for more expandability and accelerated archive and retrieval transfers.
May 1, 2012, 08:25 AM
http://www.fcp.co/final-cut-pro/news/815-sugarfx-l...
Plugin producer SugarFX has launched two new products for Final Cut Pro X. Rolling Credits has many different styles of movie credit templates and Patterns is a pack of transitions.
May 1, 2012, 08:23 AM
http://www.artofthetitle.com/2012/05/01/smokin-ace...
High-contrast colors and a soulful beat instantly transport the viewer back to films of the ’60s and '70s to revisit the story they just experienced in this main-on-end title sequence. Hep assassins brandish guns and shoot pool, a cop takes a rending shot to the gut, and a femme fatale calmly looks down the sights of her iron: still images captured as if with a rostrum camera.
May 1, 2012, 08:20 AM
http://dylanreeve.com/videotv/avid/2012/colour-cor...
As I detailed in my previous What is Avid Symphony? post, colour correction is the feature that most sets Symphony apart from Media Composer. More specifically it's relational colour correction tools – but that’s a little hard to clearly explain in writing, so I pickup a microphone and screen capture...
May 1, 2012, 08:18 AM
http://provideocoalition.com/index.php/editingpost...
In the days of early motion picture making the art of "matte painting" was a process of actually painting with oils on a plate glass that was then shot in position in front of a scene on location or in the studio where the film would be exposed by the combined images through the camera's lens, creating an illusion that the actors int...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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