To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Introducing The GeForce GTX 680 GPU

March 22, 2012, 03:23 PM

http://www.geforce.com/whats-new/articles/introduc...

The GeForce GTX 680 is the fastest and most power efficient GPU we've ever built. But we didn't stop there. GPU Boost dynamically boosts clock speed for extra performance. Adaptive V-Sync keeps your framerates smooth and stable. And NVIDIA Surround lets you game on three monitors from a single card.

Light of Day Signs Natalie Wollman as Colorist

March 22, 2012, 03:16 PM

http://www.btlnews.com/crafts/post-production/ligh...

New York-based visual effects studio Light of Day has hired Natalie Wollman as the studio's new colorist. She brings more than 10 years of experience in the European and Asian TV and film market to role. "Colorists are a critical member of any VFX A-team," said Light of Day managing partner Amy Taylor. "We are thrilled to have Natalie join Light of Day, her drive and artistic sensibility will be a great asset to us as we continue to push the creative and technical boundaries of commercial effect

ICA 101: An Introduction to Colorist Strategies

March 22, 2012, 03:16 PM

http://feedproxy.google.com/~r/industryhappenings/...

A great introduction to Resolve Mac V8 software. This class is ideal for first time users, you do not need to be a Colorist or have had previous grading or Resolve experience. The class mixes the operational side of Resolve with some practical real world training on workflows, basic color theory, grading approaches and techniques...

FInal Cut Pro X / Motion 5 Bootcamp

March 22, 2012, 03:16 PM

http://feedproxy.google.com/~r/industryhappenings/...

This five-day, hands-on course teaches students to perform basic editing functions while becoming familiar with the user interface. Start with basic video editing techniques and work all the way through Final Cut Pro's powerful advanced features. Students work with dramatic real-world media to learn the practical techniques used daily in editing projects. Then students dive...

F65 Workflow Part 3: Working with SR Codec

March 22, 2012, 03:16 PM

http://blog.abelcine.com/2012/03/22/f65-workflow-p...

In this third part of my series on the Sony F65 Workflow, I go over how to use Sony's SR Compression format. In the latest firmware revision, the F65 is able to record in the SStP (Simple Studio Profile) video format, also known as the SR Compression format.

FFV offers straight-to-Avid workflow for sideKick

March 22, 2012, 03:14 PM

http://broadcastengineering.com/products/ffv_avid_...

In a move that will deliver powerful new efficiencies for its rapidly growing base of Avid customers, Fast Forward Video (FFV) announced native Avid DNxHD support for its multiformat, straight-to-edit digital video recorders (DVRs), the sideKick HD and sideKick HD Studio.

Hybrid Edit Signs "SNL" Editor Adam Epst

March 22, 2012, 03:13 PM

http://blog.digitalcontentproducer.com/briefingroo...

Santa Monica, CA, March 21, 2012 – Hybrid Edit has announced its exclusive commercial representation of creative editor Adam Epstein. Adam is renowned for his editorial work on "Saturday Night Live." Executive Producer Gail Butler made the announcement.

Keyframing tips with Motion/FCPX

March 22, 2012, 03:12 PM

http://www.fcp.co/final-cut-pro/tutorials/777-keyf...

Billed as a look at the new features in the Motion 5.0.2 update, this episode really is all about keyframing and dropzones. Not to be missed.

Calibre to Unveil FovealHD Frame Rate Converter

March 22, 2012, 03:10 PM

http://www.governmentvideo.com/TabId/67/Default.as...

Calibre UK, a British video image processing hardware manufacturer, is set to introduce the FoveaHD MEMC motion compensated frame rate converter.

FCPX Send To Motion

March 22, 2012, 08:26 AM

http://www.screenlight.tv/blog/2012/02/23/fcpx-sen...

I have been pretty impressed by how quickly developers have stepped in the fill the perceived deficiencies in Final Cut Pro X. Last month saw the release of 7toX For Final Cut Pro, a handy little plugin that fixed FCP X's inability to open legacy projects. Now there is another little app that that could prove to be just as invaluable to FCPX users who use Motion.

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