It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 27, 2012, 10:51 AM
http://www.cinemaeditormagazine.com/2012/02/troubl...
The Descendants begins with a brief glimpse of a woman, a look of pure joy on her face as she races across the Pacific Ocean, the island of Oahu resting off in the distance. As it will turn out this is the only time the audience will see this character conscious, which...
February 27, 2012, 10:51 AM
http://www.cinemaeditormagazine.com/2012/02/ace-te...
It was a cold Saturday morning on November 5th when 75 ACE members and their assistants gathered at Universal Studios Theatre 3 for ACE's first Tech Day. The featured presenter was Michael Krulik of Avid Technology, Inc., and for the next three hours he presented a deep look into...
February 27, 2012, 10:51 AM
http://www.cinemaeditormagazine.com/2012/02/moviol...
A look inside one of the most popular editing schools in Hollywood by Michael Cameron For quite some time I've wanted to update my skill set in editing, and learn some new software. Final Cut Pro (FCP) was first introduced when I was in college and I toyed around with it in a documentaries class...
February 27, 2012, 10:50 AM
http://www.larryjordan.biz/app_bin/wordpress/archi...
This last week I was in London, at the Broadcast Video Expo in Earl's Court 2 in Kensington. I was invited to give a series of presentations on Final Cut Pro X, Compressor, Motion, and understanding video storage.
February 27, 2012, 10:48 AM
http://www.fcp.co/hardware-and-software/pro/746-ad...
Accidentally launched on the App Store yesterday, withdrawn and now back up today, Adobe have released Photoshop Touch for the iPad at USD9.99.
February 27, 2012, 10:35 AM
http://www.postmagazine.com/Press-Center/Daily-New...
HOLLYWOOD -- The 84th Annual Academy Awards took place last night, and while Hugo came into the evening with the most nominations (11) and took home statuettes for VFX, Sound Editing and Sound Mixing, it was clearly The Artist's night, winning Best Director, Best Actor and the coveted Best Picture honors.
February 27, 2012, 10:35 AM
http://www.cinemaeditormagazine.com/2012/02/tech-c...
If you are a picture editor easily frustrated by change, you're in the wrong business. Over the past six months I've worked on: a 3-D movie shot on 35mm 8 perf film and cut on Final Cut Pro 7 (FCP 7); a series shot on the RED camera and cut on Avid Media Composer (AMC) 5.0.3; a promo trailer shot on P2 and GoPro cameras; a destination film shot on 35mm 8 perf film and cut on FCP 6; a feature length scripted show shot on the Canon 5D and edited on AMC 5.5.3; a sizzle reel editing on AMC 6.0...
February 27, 2012, 10:22 AM
http://provideocoalition.com/index.php/ryoung/stor...
Here's another summary of the last week or so of news on After Effects—assorted tutorials, new and old plug-ins, scripts, expressions, and more.
February 27, 2012, 10:21 AM
http://www.cinemaeditormagazine.com/2012/02/joel-c...
Joel Cox, A.C.E., has conjured some of cinema's most enduring visions for audiences in films ranging back to the early 1970s. The images are nothing if not indelibly stamped on the collective consciousness of the movie-going public. With much of his work tied to lead actor-producer-director-composer Clint Eastwood, Cox has crafted...
February 27, 2012, 10:21 AM
http://www.cinemaeditormagazine.com/2012/02/6th-an...
One of American Cinema Editors greatest allies in the industry is the Hollywood Post Alliance (HPA), a trade association established to serve the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.